Three Cheers for the Whale
Lynne Sachs and others reflect on the making & viewing of Chris Marker’s “Three Cheers for the Whale”.
2016
PRESS
2016
“Drift and Bough” screens Urban Research on Film (Berlin) – “spectra of space”
These new films create spatial contemplations or film essays from Chicago, San Francisco, Berlin, New York, Canada, from a historical literature connection (Kerouac) or even the virtual space of a Si-Fi film series.
2016
Lynne Sachs in Between Film, Video, and the Digital Hybrid Moving Images in the Post-Media Age by Jihoon Kim
lntermedial Palimpsests in Lynne Sachs’s experimental documentary films
2016
Cool Worlds and Sacred Pictures: Hurston, Clarke & Sachs
Ethnography is describing the Other. In the 1920s, writer and anthropologist Zora Neale Hurston reacted to this established view with her own artistic and scholarly works on everyday cultures in her own home in America’s black south. Hurston political and poetic studies of “folk cultures” that were mostly disparaged at the time are an expression of unmitigated appreciation and a way of taking up a position within the debate on “high” and “low” art in Harlem between the wars.
2016
The Essay Film: Students Contemplate States of UnBelonging by Lynne Sachs
I’m a graduate student in the Nonfiction Writing Program at the University of Iowa. I’m enrolled in an essay film class this semester, and this week, I’m putting together a presentation on you and your film, States of Unbelonging.
2016
Fandor presents: Lynne Sachs’ Seven Forms of Filmmaking
Video: Lynne Sachs’ Seven Forms of Filmmaking Seven Forms of Filmmaking: Lynne Sachs from Fandor Keyframe on Vimeo. By Joel Bocko March 19, 2016 All of Lynne Sachs‘ films blur the lines between avant-garde, documentary and narrative, but few employ as many different styles and mediums as States of Unbelonging. This essay film, as much […]
2015
Light + Sound Machine Presents… YES/NO: THE CINEMA OF LYNNE SACHS
Likely the most accomplished experimental filmmaker to come from Tennessee, Memphis-native Lynne Sachs’ 30-year career has produced some of the most mesmerizing, contemplative observations on culture and communication ever committed to celluloid (and sometimes digital video.)
2015
Lynne Sachs visits Nashville’s Light & Sound Machine at Third Man Records
The Light and Sound Machine is at it again, bringing Nashvillians some of the most interesting experimental cinema, current and historical, screening anywhere in the Southeast. On Thursday, Sept. 17, L&SM welcomes veteran filmmaker Lynne Sachs for a program of works spanning her 30-year career, beginning with her first released film and ending with her latest.
2015
The Peculiar Intimacy of a NYC Laundromat
When it was a reading series staged in laundromats around the country, The New Yorker described “Every Fold Matters” as a “collaborative, site-specific performance exploring the strange intimacy of the everyday ritual.” The series used performers to act out themes of gendered work, gentrification, and the intermittent weirdness of city life. Playwright and director Lizzie Olesker and filmmaker Lynne Sachs are reuniting to turn the live performance into a film. For Polarr, Emily von Hoffmann spoke with them to find out more.
2015
Third Man Records to feature experimental filmmaker Lynne Sachs
“I have a group of films I’ve made called my Yes films and I have a group of films called my No films. The Yes films are films where absolutely anything goes… Then I have the No films—but, No is not bad. The No films have a really clear idea, and I’m like quite focused.”
