Cinema of Resistance Collection of Films
Hello fellow documentartians, We are gathering CINEMA OF RESISTANCE videos from all over the US/ World beginning with the historical Jan. 21, 2017 Women’s March.
Hello fellow documentartians, We are gathering CINEMA OF RESISTANCE videos from all over the US/ World beginning with the historical Jan. 21, 2017 Women’s March.
In the words of renowned film avant-gardist Hans Richter, essay films “’make problems, thoughts and even ideas’ perceptible … they ‘render visible what is not visible.’”
Since 2008, the Experimental Lecture Series has presented veteran filmmakers who immerse themselves in the world of alternative, experimental film. Our intention is to lay bare an artist’s challenges rather than their successes, to examine the gnawing, ecstatic reality of the work of making art.
I am in Greece with my sister Dana Sachs, my brother-in-law Todd Berliner and friend Jennifer Maraveyais, as part of Humanity Now: Direct Refugee Relief program.
In reading MacCabe’s new short, anecdotal memoir, Studio: Remembering Chris Marker, we can easily glean that the passage of thoughts from-lip-to-ear-and-back-again between these two cerebral fellows left an indelible imprint on MacCabe.
In March and April, 2017 I was invited to be an artist-in-residence at Beta Local in San Juan, Puerto Rico.
As a filmmaker and a long-term progressive activist, I have been thinking and talking about the connection between our media practice and the crisis that is our current political situation. From the environment to reproductive health to immigration, Donald Trump is trying to dismantle every aspect of the Obama legacy.
Lynne Sachs’ latest film Tip of My Tongue, which has its world premiere as the festival’s closing night selection, is a beautiful, poetic collage of memory, history, poetry, and lived experience, in all its joys, sorrows, fears, hopes, triumphs, and tragedies.
Explore the work and process of Sachs’ intermedia practice at the DMCA. This event is sponsored by the Digital Media Center for the Arts, Film and Media Studies, and Films at the Whitney.
My first viewing of Bruce Baillie’s Mass for the Dakota Sioux (1964) sent a shiver through my body and mind that ricochets to this very day.