In reading MacCabe’s new short, anecdotal memoir, Studio: Remembering Chris Marker, we can easily glean that the passage of thoughts from-lip-to-ear-and-back-again between these two cerebral fellows left an indelible imprint on MacCabe.
In March and April, 2017 I was invited to be an artist-in-residence at Beta Local in San Juan, Puerto Rico.
View collages created by Lynne Sachs at Beta Local in San Juan, Puerto Rico, in the spring of 2017.
As a filmmaker and a long-term progressive activist, I have been thinking and talking about the connection between our media practice and the crisis that is our current political situation. From the environment to reproductive health to immigration, Donald Trump is trying to dismantle every aspect of the Obama legacy.
MM Serra, Executive Director of the Filmmakers Cooperative in New York City, discusses the 1960s Queer, count-culture, underground films of Rodriguez Soltero with friend and filmmaker Lynne Sachs
Filmmaker Lynne Sachs shoots Super 8mm film of the Jan. 21 Women’s March in Washington, D.C. and intercuts this recent footage with archival material of early 20th Century Suffragists marching for the right to vote, 1960s antiwar activists and 1970s advocates for the Equal Rights Amendment.
Twelve New Yorkers born in the early 1960s across several continents “visit” every year of their lives in a brash, self-reflexive experiment about what it’s meant to live in America over the last half century.
NYU’s Asian Film and Media Initiative and Department of Cinema Studies host Every Fold Matters.
Sachs’ brilliant body of work has often focused on the curious dance between histories, the personal and global, so it is no surprise that her latest film moves across a myriad of topics with skill and grace.
In Tip of My Tongue, director Lynne Sachs explores the dynamism of memory through poetry, archival footage, and personal interviews; her artful collage of moments intelligently portrays the beauty that often lies hidden in the minds of those around us.
