PRESS

Salt Lake Dirt: An Interview with Filmmaker Lynne Sachs

So I kept collecting footage or shooting footage but not watching it. And then about two years ago I said, “I really have to start going through this.” I could see my dad getting older. But I’m getting older at exactly the same rate and so are you.

In Celebration of the Darkness: What Can Happen When the Lights Are Out

I would make a few films that allowed me to “open the door” on a person, group of people or place that I knew little about in order to develop a deeper understanding through my filmmaking. Then, I would turn the camera back on myself and my immediate surroundings to produce more personal, introspective films.

Slamdance Festival’s opening film features a daughter exploring her father’s secrets

Sachs said she hopes people will see her father as a unique character, but not that different from most dads.

She said, “I want people who watch it to imagine, ‘Well, how might I explore my father? What would be the questions I would ask? Maybe there were things he kept from me, because maybe he was protecting me — or maybe he had a side he didn’t want me to know.’”

Grasshopper Film – Single Take: Lynne Sachs on Jean-Luc Godard

As much I call myself a cinéphile, there are certain times in my filmmaking process — be it the production or post-production phase — when I try not to watch anything that is not going to help me strategize on how to solve a particular obstacle in front of me.

Cleaver Magazine – YEAR BY YEAR: Poems reviewed by Sharon Harrigan

“These poems are innovative but never intimidating or deliberately opaque. Instead, they invite us in, encouraging us to play along. They give us a structure to enter into our own retrospective lives, our own distillations of time, our own superimpositions of the newsworthy world onto our most intimate moments.” – Sharon Harrigan