“Year By Year: Poems” – San Francisco Public Library Staff Pick
Intimate and imagistic, the poems unfold a series of miniature stories with sensuous rhythms, telling visual detail, and gentle humor.
2020
PRESS
2019
Headroom + Vertical Cinema Present: Films by/ with/ for Barbara Hammer
“A Month of Single Frames” will play at Headroom + Vertical Cinema at the University of Iowa with a program of films by/ with/ for Barbara Hammer. This program was curated by Deborah Stratman.
2019
Deadline : Slamdance Sets ‘Film About A Father Who’ To Open 2020 Festival
The cinematic exploration of her father offers simultaneous, sometimes contradictory views of one seemingly unknowable man who is publicly the uninhibited center of the frame, yet privately ensconced in secrets. As facts mount, she discovers more about her father than she had hoped to reveal.
2019
Screen Daily: Slamdance 2020 to open with ‘Film About A Father Who’
“It takes undeniable courage to discover and reveal shocking truths about one’s family,” said Slamdance festival manager Alina Solodnikova.
2019
Mine for Yours: Dennis Cooper / Year by Year
Denis Cooper lists Year by Year as a poetry recommendation.
2019
Court Tree Collective – “Four Poets Gather to…”
An evening of poetry at the Court Tree Collective (Brooklyn, NY).
2019
Year by Year: Poems featured in “Fonts In Use”
With one poem for each year from 1961 to 2011, the collection began as a half-century marker in Sachs’ life, reflecting on history and memory.
2019
BBC Features “Which Way is East” in ‘The 100 greatest films directed by women: Who voted? L-Z’
BBC Culture polled film experts around the world for their favourite films directed by women.
2019
Poets & Writers: Lynne Sachs Recommends
When you don’t know what to write, return full circle to what you’ve already written and begin to experiment and play.
2019
Maysles Documentary Center: A Public Dialogue, Screening & Poetry Workshop with filmmaker Lynne Sachs
In this workshop, Sachs will be in open dialogue regarding her film “Tip of My Tongue” (80 min. 2017), which accentuates the poetry and essay film within its structure.
