Women & Hollywood: “Collaboration Taught Me Different Ways of Making Films and Seeing the World” by Lynne Sachs
As women in the director’s chair or anywhere else on a set, we should celebrate the bonds we build together behind the camera.
As women in the director’s chair or anywhere else on a set, we should celebrate the bonds we build together behind the camera.
To celebrate the press’s 30th birthday and the publication of the new Tender Omnibus collection, Greenlight hosts a night of reading and conversation featuring three Tender Buttons poets.
I would make a few films that allowed me to “open the door” on a person, group of people or place that I knew little about in order to develop a deeper understanding through my filmmaking. Then, I would turn the camera back on myself and my immediate surroundings to produce more personal, introspective films.
As much I call myself a cinéphile, there are certain times in my filmmaking process — be it the production or post-production phase — when I try not to watch anything that is not going to help me strategize on how to solve a particular obstacle in front of me.
“These poems are innovative but never intimidating or deliberately opaque. Instead, they invite us in, encouraging us to play along. They give us a structure to enter into our own retrospective lives, our own distillations of time, our own superimpositions of the newsworthy world onto our most intimate moments.” – Sharon Harrigan
Join us at Burke’s Books for a reading and book signing with Lynne Sachs for her book of poetry, “Year by Year”
Intimate and imagistic, the poems unfold a series of miniature stories with sensuous rhythms, telling visual detail, and gentle humor.
An evening of poetry at the Court Tree Collective (Brooklyn, NY).
With one poem for each year from 1961 to 2011, the collection began as a half-century marker in Sachs’ life, reflecting on history and memory.
When you don’t know what to write, return full circle to what you’ve already written and begin to experiment and play.