In the words of renowned film avant-gardist Hans Richter, essay films “’make problems, thoughts and even ideas’ perceptible … they ‘render visible what is not visible.’”
Since 2008, the Experimental Lecture Series has presented veteran filmmakers who immerse themselves in the world of alternative, experimental film. Our intention is to lay bare an artist’s challenges rather than their successes, to examine the gnawing, ecstatic reality of the work of making art.
If you need my CV, you can download it here.
I am in Greece with my sister Dana Sachs, my brother-in-law Todd Berliner and friend Jennifer Maraveyais, as part of Humanity Now: Direct Refugee Relief program.
“Sachs and Street have each remade films by her or his partner, creating a new dimension in both their work, elucidating through the nature of the project both the translatable and the untranslatable.”
In reading MacCabe’s new short, anecdotal memoir, Studio: Remembering Chris Marker, we can easily glean that the passage of thoughts from-lip-to-ear-and-back-again between these two cerebral fellows left an indelible imprint on MacCabe.
In March and April, 2017 I was invited to be an artist-in-residence at Beta Local in San Juan, Puerto Rico.
View collages created by Lynne Sachs at Beta Local in San Juan, Puerto Rico, in the spring of 2017.
As a filmmaker and a long-term progressive activist, I have been thinking and talking about the connection between our media practice and the crisis that is our current political situation. From the environment to reproductive health to immigration, Donald Trump is trying to dismantle every aspect of the Obama legacy.
MM Serra, Executive Director of the Filmmakers Cooperative in New York City, discusses the 1960s Queer, count-culture, underground films of Rodriguez Soltero with friend and filmmaker Lynne Sachs
