Bomb Magazine Interview w/ Lynne Sachs by Poet Paolo Javier
Filmmaker Lynne Sachs and poet Paolo Javier on the dialogues between documentary and poetry, and politics and personal history.
2014
PRESS
2014
SF MOMA “OPEN SPACE” ESSAY ON YOUR DAY IS MY NIGHT BY LYNNE SACHS
Everything here is aesthetically interesting: the music, the color, the camera variation, the mishmash of things, the pacing, the intimacy between the economically constituted family of the small apartment.
2014
Canyon Cinema Confessions spotlights Lynne Sachs
Canyon filmmaker Lynne Sachs. Sight & Sound has ranked her experimental documentary Your Day is My Night among the best films of the year, and the BBC has already declared it to be one of eight films to watch in 2014. Now is a great time to return to the Canyon catalog to […]
2014
Sight & Sound Best Films of 2013 List
“It’s one of the most mysterious and magical evocations of the migrant city in many a year.”
2014
BBC selects 8 Films to Watch in 2014
Eight films to watch in 2014
Published online on January 3rd, 2014 BBC Culture
By Tom Brook
“Director Lynne Sachs’ Your Day is My Night shines a light on a little documented sub-culture in New York’s Chinatown, chronicling immigrants who live communally in buildings where there’s a shift-bed system. One person returns from a stint of overnight work to sleep in a bed just vacated by another person off to their day job. The form of this documentary is as compelling as its content. It is a beautiful collage of different media and music intricately edited together with the often emotional testimony of the immigrants.”
2014
RiDE: Risk/ Dare/ Experiment – “Taking a Docu-mentary Detour” at Pratt
In 2014 filmmaker Lynne Sachs was invited by the Department of Film/Video to present Taking a Docu-mentary Detour, a lecture/performance with students from several Pratt divisions that was part discussion, part experiment, and part artwork.
2013
“The Line Blurs:” Morals of Filmmaking
“Anything that happens in front of the camera is some kind of performance,” said experimental filmmaker Lynne Sachs at the top of Tuesday’s “The Line Blurs: Shifting Narratives in Filmmaking” panel. Sachs, along with Caveh Zahedi, Josephine Decker, Keith Miller and moderator Nathan Silver, spent an hour debating the division between narrative and documentary forms at DCTV.
2013
Jeanne Finley’s Introduction at Pacific Film Archive
Lynne describes her films as explorations of the intricate relationship between personal observations and broader historical experiences.
2013
La ficción del documento by Rojo Robles
The appointment was for 8:00 pm and Gallisá Sofia studio in Fort Green , Brooklyn began to fill with Puerto Rican friends . We were about ten . We had been invited by filmmaker and teacher, Lynne Sachs. Lynne wanted to know our bedtime stories , record them and study them. Sofia, her collaborator , trust our narrative power and strangeness , hence the invitation.
2013
“Your Day Is My Night” Post-Screening Conversation at NYU
Filmmaker Lynne Sachs and performers Yi Chun Cao, Linda Y.H. Chan, Chung Qing Che, Ellen Ho, Yun Xiu Huang, and Sheut Hing Lee joined A/P/A Institute at NYU on Thursday, October 2, 2013 for a screening of the film and a conversation moderated by Karen Shimakawa (Chair of Performance Studies at NYU, Tisch School of the Arts). Lesley (Yiping) Qin served as translator.
