PRESS

La ficción del documento by Rojo Robles

The appointment was for 8:00 pm and Gallisá Sofia studio in Fort Green , Brooklyn began to fill with Puerto Rican friends . We were about ten . We had been invited by filmmaker and teacher, Lynne Sachs. Lynne wanted to know our bedtime stories , record them and study them. Sofia, her collaborator , trust our narrative power and strangeness , hence the invitation.

“Your Day Is My Night” Post-Screening Conversation at NYU

Filmmaker Lynne Sachs and performers Yi Chun Cao, Linda Y.H. Chan, Chung Qing Che, Ellen Ho, Yun Xiu Huang, and Sheut Hing Lee joined A/P/A Institute at NYU on Thursday, October 2, 2013 for a screening of the film and a conversation moderated by Karen Shimakawa (Chair of Performance Studies at NYU, Tisch School of the Arts). Lesley (Yiping) Qin served as translator.

Interview with Lynne Sachs in The Brooklyn Rail – 2013

When the experimental filmmaker Lynne Sachs taught avant-garde filmmaking at the University of California, Berkeley, in 1992, few if any in our class had ever heard of the essayist Chris Marker, with whom she later collaborated on Three Cheers for the Whale, or Trinh T. Minh-ha, whose approach to filmmaking strongly influenced her own.

Boston’s Arts Fuse reviews Your Day is My Night

On July 15, The DocYard series, running Monday nights at the Brattle Theatre, will host writer-director Lynne Sachs and her gorgeous, intimate look inside one very crowded New York Chinatown apartment, Your Day Is My Night.

Toronto Star on Your Day is My Night

The public pulse is measured every way: from political polling to pondering why dance videos go viral. But at the avant-garde video extravaganza, Images Festival, it’s possible to reflect on how inward looking we’ve become by having us listen to a long-gone love affair revisited via long-lost tapes or watching a smuggled-in Chinese worker’s quiet private battle to keep his dignity.