Tag Archives: festivals

Moviate Film Festival / Every Contact Leaves a Trace

27th ANNUAL MOVIATE UNDERGROUND FILM FESTIVAL – Every Contact Leaves a Trace (2025) – 82 minutes Presented by filmmaker Lynne Sachs

Every Contact Leaves a Trace (2025) – 82 minutes
SUNDAY MAY 31st, 2026
Presented by filmmaker Lynne Sachs
$12 – 8PM at the Midtown Cinema, Harrisburg PA

Contact—so tactile, so evocative of the touch of one person on another, physically and emotionally. Trace—a way to get back to an earlier point and a reckoning with the remains of that initial encounter. Filmmaker Lynne Sachs has saved every business card anyone has ever given her. After 40 years of collecting, she recognizes their mnemonic powers. With 600 cards in her grasp, Sachs contemplates the impact of these haptic exchanges. In both real and imagined ways, her essay teases apart their vivid resonances, entwining personal memory with geopolitical history through visual abstraction, music, and a poet’s sense of introspection.

Showing with:
“Berlin Theater of the Streets” – A film by Mark Street – 10 minutes
Presented in person by filmmaker Mark Street
A walk through Berlin; eyes open, camera ready. Countless vignettes unfold around me, and I imagine storylines for each set piece.
Join us for a special Closing Night Program with both filmmakers in-person!
As part of the 27th Annual Moviate Underground Film Festival.

The Burg : Moviate Underground Film Festival to return to Harrisburg this weekend

https://theburgnews.com/news/moviate-underground-film-festival-to-return-to-harrisburg-this-weekend

Get your popcorn ready.

The 27th Annual Moviate Film Festival will take place on May 28 to 31 at Midtown Cinema and feature more than 60 films from 15 countries, with 13% of the movies being screened on real film.

Many of the selected films are new and classic documentaries. Caleb Smith, co-founder of Moviate highlighted several of the weekend’s showings as can’t miss events.

“You’re going to see someone’s personal creativity along with their vision, whether it’s a five-minute animation or a 90-minute documentary,” Smith said.

On Thursday, May 28, musicians Glenn Jones and Liam Grant will perform live original scores to two of their films, “The River” and “The Plow that Broke the Plains,” at 7 p.m. As they’ve been touring around the east coast, they will not be performing the original score to these films anywhere else but in here in Harrisburg, Smith noted.

 The weekend continues Friday, May 29 with a 40th anniversary screening of the 1986 documentary “Heavy Metal Parking Lot,” featuring director Jeff Krulik in attendance. The screening is co-presented by local business Tattoo Punks.

“Jeff will present previously unseen footage, including interviews with the band Judas Priest related to the film,” Smith said.

On Saturday, May 30, Colombian filmmaker Chris Gude’s “Morichales” will screen in partnership with Harrisburg-based Elementary Coffee Co., whose coffee is largely sourced from Colombia.

“The film is a stunning portrait of the workers in Venezuela who are trying to mine for gold. It’s a really beautiful film,” Smith said.

The festival concludes Sunday, May 31, with a screening of “Barbara Forever,” accompanied by New York City filmmakers Lynne Sachs and Mark Street in partnership with the LGBT Center of Central PA.

“Lynne and Mark worked with Barbara for many years and were close friends with her,” Smith said. “She was very enigmatic and creative and had documented a lot of her life as she was making films. This film just came out this year, so I’m excited that Lynne and Mark will introduce it.”

In addition to spotlighting unique indie films, Smith also sees the festival as an avenue for connection.

“With the emergence of artificial intelligence and the silo effect of people being on their phones, there’s a feeling of isolation. When you go to Midtown Cinema, you can meet other people, chat and experience the film together,” he said.

Experiments in Cinema v21.5 / The Washing Society

https://www.experimentsincinema.org/eic-21-5

https://www.experimentsincinema.org/eic-21-5?pgid=movp2q1a-74c9cdfe-e889-4ce0-b2d1-43c6ca3f0f6a

The Washing Society

by Lynne Sachs/Lizzie Olesker, 65:00, 2018, US. When you drop off a bag of dirty laundry, who’s doing the washing and folding? The Washing Society brings us into New York City laundromats and the experiences of the people who work there by observing these disappearing neighborhood spaces and the continual, intimate labor that happens there. The juxtaposition of narrative and documentary elements in The Washing Society creates a dream-like, yet hyper-real portrayal of a day in the life of a laundry worker, both past and present.

Ann Arbor Film Festival / Every Contact Leaves a Trace

Friday March 27, 2026
7:00 PM Michigan Theater Screening Room
https://aafilmfest.filmchief.com/shop/tickets?v=143

Lynne A. Sachs
United States, 2025

Contact—so tactile, so evocative of the touch of one person on another, physically and emotionally. Trace—a way to get back to an earlier point and a reckoning with the remains of that initial encounter. Filmmaker Lynne Sachs has saved every business card anyone has ever given her. After 40 years of collecting, she recognizes their mnemonic powers. With 600 cards in her grasp, Sachs contemplates the impact of these haptic exchanges. In both real and imagined ways, her essay teases apart their vivid resonances, entwining personal memory with geopolitical history through visual abstraction, music, and a poet’s sense of introspection.

Maryland Film Festival / This Side of Salina

https://mdfilmfest.eventive.org/films/68ed5a23577d4fe9527e7a9b

“We bring films, filmmakers, and audiences together in a friendly, inclusive atmosphere that reflects the unique aspects of our community, while participating in and adding to the larger film dialogue across the country and across the world. Film for Everyone.”

This Side of Salina

Fri, Nov 7th, 3:00 PM @ Parkway Theater 2

Sat, Nov 8th, 3:00 PM @ Parkway Theater 2

Every Contact Leaves a Trace / IDFA

Signed

The latest cinematic adventures of some of the most original filmmakers of our time. Signed celebrates those with a unique artistic signature, beyond the canon.

Synopsis

Since 1990, filmmaker Lynne Sachs has collected 600 business cards—from a hairdresser, a therapist, a textile artist. Together they form an archive of encounters. The title of this imaginative essay film, Every Contact Leaves a Trace, is a basic principle of forensic science, coined by Edmond Locard, a pioneer in the field. And any trace can link a person to a place, another person or an object. If that’s true, Sachs wonders, might every personal encounter not also leave a trace on your being?

To find out, she tracks down some of the people behind the business cards. The thread connecting these hundreds of cards is Sachs herself, so the filmmaker naturally becomes the center of the film. Yet the focus is not on her; as in many of her works spanning more than three decades of film making, she merely provides the perspective—the point of departure.

With her warm, contemplative voice-over and playful visual invention, Sachs weaves countless faces and voices into a patchwork of connections. These encounters—whether forgotten or remembered, faint or vivid—have become part of her being.

DateLocationActivities
Mon 17 Nov 18:00Eye: Cinema 2Welcome & Introduction, Thank you moment
Tue 18 Nov 13:30Tuschinski 4Welcome & Introduction, Q&A
Thu 20 Nov 21:15Pathé City 4Welcome & Introduction, Q&A
Fri 21 Nov 11:30Kriterion 1Welcome & Introduction, Q&A
Sat 22 Nov 21:00Pathé Noord 11Welcome & Introduction, Q&A

L’Alternativa / Contractions

The Barcelona Independent Film Festival, l’Alternativa, is now in its 31st edition. For over three decades we have been offering filmgoers and professionals a unique opportunity to discover and enjoy screenings and activities that value creative freedom, diversity, innovation, commitment and thought-provoking reflection.

This year we will once again be running a hybrid edition: onsite screenings and activities from 14 to 24 November 2024 plus a selection of films from the 31st edition available on Filmin during our online fortnight in January 2025.

L’Alternativa has three competition sections in l’Alternativa Official: Spanish Films, International Feature Films and International Short Films.

L’Alternativa Parallel presents tributes, premieres, little-known films, work by new directors and a programme of family screenings.

And l’Alternativa Hall offers a rich, varied programme of free screenings, performances and debates in the CCCB Hall.

Hall Selects is a bridge between l’Alternativa Official and l’Alternativa Hall. Whittling down the many entries we receive for the official sections is a painstaking process designed to produce a final selection that showcases a wide range of striking films that reflect the spirit of the festival. Here we open up a space in which we can share an additional selection of impressive films and offer the Hall audience the chance to engage directly with the filmmakers and others members of the creative and artistic teams.

Hall Selects Tuesday 19 November, 6 pm, Hall CCCB, 111 min

Presented by Jorge Moneo, Patxi Burillo and Tamara García

Madwomen in the Attic
Tamara García Iglesias

Contractions
Lynne Sachs

Nafura
Paul Heintz, Witt Anne-Catherine, Witt Anne-Catherine

Exergo
Jorge Moneo Quintana

Year and Time
Patxi Burillo Nuin, Proyecto Landarte Urroz

Women Make Waves 2024 / Contractions

10/18-10/27 2024
Taipei, Taiwan

https://www.wmw.org.tw/en/film/unit/344

The program includes short films from Portugal, Poland, South Korea, Japan, Singapore, Brazil, China, Croatia, and the United States. From a lockdown love story, Gen Z manifesto against patriarchal norms, to a sharp social commentary on gender struggles. The length of the film demonstrates an attitude, from there extends a myriad of different universes.

Lynne Sachs hosts an interactive workshop: The Body in Space.

Cinema Program

Dildotectonics
Portugal|2023|DCP|color|15min

What’s softest in the world rushes and runs over what’s hardest in the world.
Singapore|2024|DCP|color|15min

My First Funeral
South Korea|2023|DCP|color|38min

Such Miracles Do Happen
Poland|2023|DCP|color|14min

VALERIJA
Croatia|2023|DCP|color|16min

Quebrante
Brazil|2024|DCP|color|23min

Contractions
USA|2024|DCP|color|13min

Postcards from the Verge
Poland|2023|DCP|color|40min

Those Who Loved Me
Japan|2024|DCP|color|15min

Myself When I Am Real
USA|2024|DCP|color|18min


A Message from the Co-Curator of the Festival

Thank you for your powerful work! It reminded me of how a work of art is really a dialogue with the contemporary and is a voice of resistance:

“The four shorts tonight shared unique perspectives on the relationships between women/human kind and the body, time, history, and even the universe.

Unlike some of Lynne’s other works, with fluid space and poetics, in Contractions, we are hit with testimonies, plain and clear, combined with a visual and audio experience just as direct, about the predicaments of women and the medical system in Tennessee since June 24, 2022.

I noticed that in the beginning of the film, there is deep breathing sound. Then we see an open sky so blue and suffocating, with the voices of women, about the restrictions on women’s rights, on their bodies, and on what they can imagine about their own lives.

Lynne’s works are very charismatic with her organic, empathetic, and breathing-like camera eye. In Contractions, the camera is static or moves very slowly. It has a sense of control and horror, but at the same time, the static shots become a  steadfast and unwavering gaze; steadfast and unwavering, like those women that are “standing still” in the film, some alone, some leaning on each other.

I am truly touched by those strong women that continue to help each other despite the danger, and refuse to take it as it is. And it is strangely cathartic to hear the additional audio piece We Continue to Speak, knowing that we are all shaken with anger and we will continue to fight!

Thank you so much for the film. 

Ting-Wu Cho

Co-curator

Women Make Waves Film Festival 2024

Taipei, Taiwan


31st Annual Chicago Underground Film Festival / Contractions

Shorts Program 9
Saturday, September 14, 2024 4:00 PM CDT
Harper Theater 1

https://cuff31.eventive.org/schedule/66acd8bf03f5e30051dd8e0d

Otherhood | Deborah Stratman
Mother and child confront the other. Meanwhile, some ladies are thinking.

Retracing Our Steps | Kelly Gallagher
A woman reflects back on her time spent assisting abortion seekers when Roe v. Wade was law of the land in the US.

Contractions | Lynne Sachs
What happens when women and other who gestate no longer have control of their bodies? In 2022, the U.S. Supreme Court ended a woman’s right to a safe and legal abortion in the United States. “Contractions” takes us to Memphis, Tennessee where we contemplate the discontinuation of abortion services at a women’s health clinic. We listen to an obstetrician and a reproductive rights activist who movingly lay out these vital issues. We watch 14 women and their male allies who witness and perform with their backs to the camera. In a place where a woman can no longer make decisions about her own body, they “speak” with the full force of their collective presence.

We Continue To Speak | Lynne Sachs
In this sound collage Filmmaker Lynne Sachs records the participants and producers of her film Contractions as they vocalize their reactions to the reduction of women’s bodily autonomy in the United States.

Patient | Lori Felker
Fiction, reality, the private, and the performed overlap on a routine but emotional day at a medical center.

What Went Down | Danièle Wilmouth
Beauty is pain – at least in the world of Dance. WHAT WENT DOWN takes a humorous and irreverent approach to unpacking ideas of suffering in pursuit of physical virtuosity. A collaboration between choreographer Peter Carpenter and filmmaker Danièle Wilmouth, WHAT WENT DOWN features a group of middle-aged dancers who navigate the tense relationship between their chronically injured bodies and the barked orders of an uncompromising film director. Exposing the strenuous labor of the cinematic process both in front of and behind the camera, WHAT WENT DOWN devolves from constant action to profound inaction… all for you!

Ashes of Roses | Sasha Waters
This movie is about loving things that are embarrassing and people who are inappropriate. It’s an essay film reflection on popular trash.

I Was There (Part 1) | Chi Jang Yin
“I Was There” is a trilogy of experimental documentary films that explores the problem of radiation, our society’s fading collective memory of the atomic bombing of Hiroshima and Nagasaki, and the unresolved debate between ethics and science. These series concern the immediate effects of weaponized nuclear technology, as invisible poison, on the human body. Meditating on the survivor’s memories, “I Was There” (Part I) traces the experience of a physician for the past 70 years, who recounted his day as a rare witness when the atomic bomb was dropped in Hiroshima. The poignant and thought-provoking evidence of the secret war tactics reveals the human value during times of war in conflicts. Saving American lives is the commonly known and acceptable narrative of why the United States government dropped the first atomic bomb on Hiroshima. However, this narrative contradicts the finding in personal and petitions letters, and arsenal photography housed at the Truman Presidential Museum. The evidence uncovers a rather surprising reason for testing the atomic bomb on humans – competing for war power against Russia and securing the US dominant role in global politics.

Camden International Film Festival / Contractions

Shorts Program: The Cosmos in Us

Points North Institute, Journey’s End
Friday, September 13 2024

https://camdeniff.eventive.org/schedule/shorts-the-cosmos-in-us-66c34485ef5b8600391ddbcd

Five films that take us into diverse worlds, persuading us to question our perceptions and to see the world more humanely. These films transform our perspectives on what constitutes identity, how we build resilience against adversities, and how we seek to heal our traumas.

Adura Baba Mi | Juliana Kasumu | 15′
Intimate recollections by the filmmaker’s father, a religious leader within the Celestial Church of Christ, and the filmmaker’s mother, his once devoted wife.

A Body Called Life | Spencer MacDonald | 15′
A self-isolated young human known delves into the hidden world of microscopic organisms, forging a tender connection with these nearly invisible creatures and developing a massive online following, as he seeks to understand his own place in the cosmos and accept the scars of his past.

Contractions | Lynne Sachs | 14′
Intimate confessions, paired with experimental choreography outside a woman’s clinic in Memphis, offer a glimpse into the end of safe and legal abortion access in the US.

Familia 💖💎 | Picho García and Gabriela Pena | 19′
With the help of his friends, Picho coordinates through WhatsApp to get a profile picture that represents him. Meanwhile, there’s a crisis on the family WhatsApp chat: the demand to be present during the dizzying loss of autonomy of his grandfather, the patriarch of the family. Between missed calls, bombardment of images, emojis and stickers, we access the digital intimacy of a young man conflicted with the expectations of others and his own.

One Night at Babes | Angelo Madsen Minax | 29′
At Babes Bar Cribbage tournaments overlap with afternoons of karaoke and nights of raucous queer dance parties. When the aging rural townsfolk of Bethel, Vermont and the younger queer leftists begin sharing the same watering hole, delicate lines of communication open, but not without some drama.

You can’t get what you want but you can get me | Samira Elagoz and Z Walsh | 13′
An intimate slideshow chronicling how two trans masculine artists fall madly in love. From their initial meeting to traveling across continents, viewers witness their intimate moments, long-distance relationship, and transformative top surgery.

Variety on the Camden International Film Festival / Contractions

Camden International Film Festival Unveils Politically Packed 2024 Lineup (EXCLUSIVE)

The 20th edition of the Camden Intl. Film Festival, kicking off Sept. 12, features a lineup full of political, hot button documentaries fresh off showings at Toronto, Venice and Telluride. The Maine-based film festival will unfold in a hybrid format, with both in-person events over a four-day period concluding Sept. 15, and online screenings available from Sept. 16 to Sept. 30 for audiences across the U.S.

https://variety.com/2024/film/news/camden-film-festival-2024-lineup-political-documentaries-1236109247/amp/

Shorts

A Body Called Life | Spencer MacDonald | USA, Switzerland, Poland

Adura Baba Mi | Juliana O. Kasumu | Nigeria, Jamaica, United Kingdom | World Premiere

Bisagras | Luis Arnías | USA, Senegal, Brazil The Comeback Mill | Josh Gerritsen | USA

Contractions | Lynne Sachs | USA
Diary Of A Sky | Lawrence Abu Hamdan | Lebanon | North American Premiere

Dull Spots Of Greenish Colours | Sasha Svirsky | Germany | North American Premiere

An Extraordinary Place | Tom Bell | USA

Familia | Picho García, Gabriela Pena | Chile

Four Holes | Daniela Muñoz Barroso | Cuba, France

The Great Big Nothingness: Conversations with Creators | Chase Overland | USA | World Premier

Heritable | Eli Kao | USA

History Is Written At Night | Alejandro Alonso | Cuba, France

Meditations On Silence | Sebastián Quiroz | Chile | International Premiere

Motorcycle Mary | Haley Watson | USA

One Night At Babes | Angelo Madsen Minax | USA

Perfectly A Strangeness | Alison McAlpine | Canada | US Premiere

Take me to the Ocean | Elena Mozzhelina | USA

The Tengu Club | Hilary Hutcheson, Britton Caillouette | USA | World Premiere

Through The Storm | Charles Frank, Fritz Bitsoie | USA
Two Refusals (Would We Recognize Ourselves Unbroken?) | Suneil

Sanzgiri | India, Portugal, USA
Waldo County Woodshed | Julia Dunlavey | USA

You Can’t Get What You Want But You Can Get Me | Samira Elagoz, Z Walsh | Netherlands, Finland