Contractions / Olhar de Cinema

Contractions screens 6/16/24 and 6/18/24

Olhar de Cinema – Curitiba IFF began its activities as an independent film festival. Since 2012, the festival has attracted more than 200,000 people to movie theaters, 30,000 people watching movies online and exhibited more than 1,000 films from all over the world.

In 2020, it completed its ninth edition with the screening of more than 78 films, enabling online access for more than 30,000 people to these works.

After nine years of experiments, risks and accurate shots, Olhar de Cinema is already part of the cultural scene of independent cinema in Paraná, Brazil and around the world.

The event aims to highlight and celebrate independent cinema made around the world through the official selection of films with inventive, engaging and thematic commitment, ranging from addressing contemporary concerns about the daily micro universe of relationships, to interpretations and positions on politics and world economy. Films that venture into new forms of cinematographic language, which are open to experimentalism and which, nevertheless, have a great potential for communicating with the audience.

Amidst these requirements, it is possible to compose a program of great thematic and aesthetic diversity, which does not reject genres, formats and durations. A universe composed of approximately 90 films per year, Olhar de Cinema always seeks to value Brazilian and Paraná cinema as well, by digging up what is most precious and urgent in these cinematographies, ensuring special care when programming such works.

The festival seeks to compose shows that mix Brazilian and foreign films, enabling dialogue and exchange between all these universes. Alongside the shows that make up the event’s official selection, the festival also sheds light and pays tribute to masters of world independent cinema, restored classic films and also new directors who, even with a short filmography, already have a strong artistic identity.

With this proposal, the programming carried out by Olhar de Cinema has the vast majority of selected films that are still unpublished in Brazil. In this way, the event is intended not only to provide the public with unique cinematographic experiences, but also to encourage reflection on the language and history of cinema. We thank everyone who made this story possible, who are part of our present and contribute to making the event’s future even more vivid.

Film Description:
In June 2022, the United States Supreme Court granted several states the authority to revoke women’s right to autonomy over their bodies, resulting in 21 states, including Tennessee, criminalizing abortion. In Memphis, Tennessee, Lynne Sachs draws upon her decades of experience in producing feminist counter-images to orchestrate a performance involving 14 women and some of their partners. Together, they evoke invisible visibilities and silenced discourses in front of an abortion clinic whose operations were halted following this decision. (C.A.)