Lynne Sachs receives 2014 Guggenheim Fellowship in Film/Video

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http://www.gf.org/fellows/17669-lynne-sachs

2014 Fellows – United States and Canada

In its ninetieth annual competition for the United States and Canada, the John Simon Guggenheim Memorial Foundation has awarded 177 Fellowships (including one joint Fellowship) to a diverse group of 178 scholars, artists, and scientists. Appointed on the basis of prior achievement and exceptional promise, the successful candidates were chosen from a group of almost 3,000 applicants.

The great variety of backgrounds, fields of study, and accomplishments of Guggenheim Fellows is one of the most unique characteristics of the Fellowship program. In all, fifty-six disciplines, eighty-three different academic institutions, twenty-nine states and two Canadian provinces are represented by this year’s Fellows, who range in age from twenty-nine to seventy-seven.

LYNNE SACHS FELLOWSHIP

Lynne Sachs makes films, installations, performances and web projects that explore the intricate relationship between personal observations and broader historical experiences by weaving together poetry, collage, painting, politics, and layered sound design. Strongly committed to a dialogue between cinematic theory and practice, she searches for a rigorous play between image and sound, pushing the visual and aural textures in her work with each and every new project.  Between 1994 and 2009, her five essay films took her to Vietnam, Bosnia, Israel, Italy, and Germany—sites affected by international war—where she looked at the space between a community’s collective memory and her own subjective perceptions.

Recently, after twenty-five years of making experimental documentaries, Lynne learned something that turned all her ideas about filmmaking upside down. While working on Your Day is My Night in the Chinatown neighborhood of New York City, she came to see that every time she asked a person to talk in front of her camera, they were performing for her rather than revealing something completely honest about their lives. The very process of recording guaranteed that some aspect of the project would be artificial. She decided she had to think of a way to change that, so she invited her subjects to work with her to make the film, to become her collaborators.  For Lynne, this change in her process of filmmaking has moved her toward a new type of filmmaking, one that not only explores the experiences of her subjects, but also invites them to participate in the construction of a film about their lives.

Since 2006, Lynne has also collaborated with her partner, Mark Street, in a series of playful, mixed-media performance collaborations they call The XY Chromosome Project. In addition to her work with the moving image, Lynne co-edited the 2009 Millennium Film Journal issue on “Experiments in Documentary” and co-curated the 2014 film series “We Landed/ I Was Born/ Passing By: NYC’s Chinatown on Film” at Anthology Film Archives.  Lynne has received support from the Rockefeller and Jerome Foundations and the New York State Council on the Arts and residencies in both film and poetry from the MacDowell Colony. Her films have screened at the New York Film Festival, Sundance Film Festival, Toronto’s Images Festival, and Los Angeles’ REDCAT Theatre as well as a five-film retrospective at the Buenos Aires Film Festival.  The San Francisco Cinematheque recently published a monograph with four original essays in conjunction with a full retrospective of Lynne’s work.

In 2012, Lynne began a series of live film performances of Your Day is My Night in alternative theater spaces around New York City. She then completed the hour-long hybrid video, which premiered at the Museum of Modern Art in 2013 and screened at the Vancouver Film Fest, Union Docs, New Orleans Film Fest, and other venues in the U.S. and abroad.