About

Lynne Sachs is a filmmaker and poet who grew up in Memphis, Tennessee and is currently living in Brooklyn, New York. Her moving image work ranges from short experimental films, to essay films to hybrid live performances. Lynne discovered her love of filmmaking while living in San Francisco where she worked closely with artists Craig Baldwin, Bruce Conner, Ernie Gehr, Barbara Hammer, Gunvor Nelson, and Trinh T. Min-ha. Between 1994 and 2006, she produced five essay films that took her to Vietnam, Bosnia, Israel, Italy and Germany — sites affected by international war – where she looked at the space between a community’s collective memory and her own subjective perceptions. Looking at the world from a feminist lens, she expresses intimacy by the way she uses her camera. Objects, places, reflections, faces, hands, all come so close to us in her films.  Strongly committed to a dialogue between cinematic theory and practice, she searches for a rigorous play between image and sound, pushing the visual and aural textures in her work with every new project.  With the making of “Your Day is My Night” (2013), “Every Fold Matters” (2015), and “The Washing Society” (2018), Lynne expanded her practice to include live performance. As of 2020, Lynne has made 37 films. The Buenos Aires International Festival of Independent Cinema, Festival International Nuevo Cine in Havana, China Women’s Film Festival and Sheffield Doc/ Fest have all presented retrospectives of her films. Lynne received a 2014 Guggenheim Fellowship in the Creative Arts. Tender Buttons Press published Lynne’s first book Year by Year Poems in 2019.   Lynne lives in Brooklyn with her husband filmmaker Mark Street. Together, they have two daughters, Maya and Noa Street-Sachs.

“Lynne Sachs has always eluded easy labeling…. She focuses on capturing gestures, inches of skin, fragments of conversations, casual moments in time, personal memorabilia, and weaving them into unexpected patterns….. (She) sublimes the personal into the theatrical …. (and) embraces variegated renditions of filmic language, recording the world, digesting it, and offering it to viewers in its performative beauty.” How Lynne Sachs Turns Spoken Language into Cinematic Language – A retrospective of the feminist artist and filmmaker demonstrates how she explores communication in her work. Hyperallergic, 2020.

https://hyperallergic.com/575385/lynne-sachs-sheffield-docfest-retrospective/

CONTACT: info@lynnesachs.com

Lynne’ s work is distributed by First Run IcarusCinema Guild; New York Film-makers’ Coop and Canyon Cinema.


Selected Articles on Lynne Sachs

Docs in Orbit – Masters Edition: in Conversation with Lynne Sachs
https://www.docsinorbit.com/masters-edition-in-conversation-with-lynne-sachs?fbclid=IwAR0GFg3TSr-leoQrQhmKl9MzMaRiaE3Zxbx0b-lsyos4EzqZDI0CpaXO1IU

Modern Times Review:  «A new relationship to language and listening in cinema»: Lynne Sachs on her Sheffield Doc/Fest Retrospective,” Interview with Lauren Wissot  June 17, 2020
https://www.moderntimes.review/lynne-sachs-on-sheffield-doc-fest-retrospective/

Ubiquarian: “The Process is the Practice: Prolific and poetic, experimental and documentary filmmaker, Lynne Sachs, lights up this year’s online edition of Sheffield Doc|Fest with a mini-retrospective, annotated lecture and her new feature, Film About a Father Who (2020)” by Tara Judah, June 21, 2020
http://ubiquarian.net/2020/06/the-process-is-the-practice/

Hyperallergic: “How Lynne Sachs Turns Spoken Language into Cinematic Language – A long-overdue retrospective of the feminist artist and filmmaker demonstrates how she explores communication in her work.” By Serena Scatani, July 13, 2020.
https://hyperallergic.com/575385/lynne-sachs-sheffield-docfest-retrospective/

Lynne Sachs’ Seven Forms of Filmmaking in Fandor.com’s Keyframe
https://www.youtube.com/watch?v=pGnkDW-Q9Dw

Lynne Sachs interview in Bomb Magazine in 2014
http://bombmagazine.org/article/1000059/lynne-sachs

Lynne Sachs interview in Brooklyn Rail in 2013
http://www.brooklynrail.org/2013/09/film/lynne-sachs-with-karen-rester

Lynne Sachs interview in Asian American Writers Workshop in 2013
http://opencitymag.com/your-day-is-my-night/

Lynne Sachs interview in Asian Cinevision in 2013
http://www.asiancinevision.org/cinema-spotlight-your-day-is-my-night/

*Spoiler Alert Radio Summer 2009 Podcast Interview:
https://spoileralertradio.libsyn.com/lynne_sachs_experimental_documentary_filmmaker

*Interview on WPS1/MoMA Radio
Half hour conversation with Filmmakers Cooperative Director MM Serra
Listen >>>> http://clocktower.org/show/history-of-film-makers-cooperative-lynne-sachs

*Between Women: The Filmworks of Lynne Sachs
an interview published by OTHERZINERead >>>>  http://www.othercinema.com/otherzine/?issueid=24&article_id=115


List of Works by Lynne Sachs

“Drawn and Quartered”, 4 min. color 16mm., 1986
“Still Life With Woman and Four Objects”, 4 min. B&W 16mm., 1986 .
“Following the Object to Its Logical Beginning”, 9 min. 16mm. 1987..
“Sermons and Sacred Pictures” 29 min., 16mm 1989
“The House of Science: a museum of false facts” 30 min., 16mm, 1991
“Which Way Is East: Notebooks from Vietnam” 33 min., 1994
“A Biography of Lilith” 35min., 16mm, 1997
“Window Work” 9 min. video, 2000
“Photograph of Wind” 4 min. 16mm, silent, 2001
“Horror Vacui: Nature Abhors a Vacuum” video installation, 2000
“Investigation of a Flame” 45 min. 16mm, 2001
“Tornado”, 4 min. video 2002
“The House of Drafts”, a video and website, 2002 www.house-of-drafts.org
“Atalanta 32 Years Later” 5 min. video, 2006
“Noa, Noa”, 8 min. 16mm, 2006
“The Small Ones”, 3 min. video 2006
“States of UnBelonging”, 63 min. video 2006
“XY Chromosome Project” 12 min. installation/performance 2007
“Georgic for a Forgotten Planet”, 11 min., video, 2008.“The Last Happy Day” , 37 min. , film, 2009.
“Abecedarium: NYC” an interactive website created with the New York Public Library www.abecedariumnyc.com, 2007
“Georgic for a Forgotten Planet”, 11 min., video, 2008.
“The Last Happy Day” , 37 min. , film, 2009.
“Wind in Our Hair”, 40 min., film, 2010.
“Sound of a Shadow”. 10 min. Super 8mm on video, 2011
“Same Stream Twice”, 4 min. 16mm film, 2012
“Your Day is My Night”, 65 min., 2013
“Drift and Bough”, Super 8 mm film, 2014.
“Starfish Aorta Colossus”, 5min. 2015.
“Tip of My Tongue”, 80min. 2017.
“And Then We Marched”, 4 min. 2017.
“Carolee, Barbara & Gunvor”, 8 min. 2018
“The Washing Society”, 44 min. 2018
“A Year in Notes and Numbers”, 3 min. 2018.
“A Month of Single Frames”, 14 min. 2019
“Film About a Father Who”, 74 min. 2020
“Girl is Presence”, 4 min. 2020


Grants, Scholarships, & Awards

Guggenheim Fellowship in Film & Video, 2014.
Experimental Television Center, finishing funds,1997; residency, 1999; finishing funds 2008.
MacDowell Colony Artist Residency, Selected as Elodie Oborn Felllow 2006-07.
New York University Adjunct Faculty Grant, 2005,2007, 2008, 2010.
New York Public Library Artist Commission, 2006.
National Video Resource, Technical Assistance Award, 2005,2006.
New York State Council on the Arts, grant for film, 2003
Jerome Foundation, grant for film, 2004.
Rockefeller Foundation, media arts fellowship, 2001; Service award 2004.
Trust for Mutual Understanding, media grant, 2001.
Maryland Council for the Humanities, grant for current film project, 2000.
Arts Link Collaborative Project, funded by National Endowment for the Arts, (video/website in Sarajevo) 2000.
Maryland State Arts Council Individual Artist Grant, 2000.
School 33 Public Art Space, juried invitational show of installation work, Fall, 2000, Baltimore.
Puffin Foundation artist grant for Catonsville Nine Project, 2000.
Maryland State Arts Council Mini-Grant, with the Catonsville Historical Society, 1999.
San Francisco Bay Guardian Outstanding Local Discovery Award, 1993.
Western States Regional Media Arts Fellowship, Supported by the NEA, 1993
Southeast Regional Media Arts Fellowship, NEA, 1990.
Film Arts Foundation Development Grant, San Francisco, 1987.
Pioneer Fund for Emerging Filmmakers, San Francisco, 1987.
Downtown Community Television Artist in Residence, New York, 1985.
Robert Flaherty Documentary Film Seminar, Scholarship, 1985.