Three Poems by Lynne Sachs published in A Portuguese-English Review of Contemporary Literature
Three video-poem collaborations by Lynne Sachs with Bernadette Mayer, Paolo Javier, and Laura Harrison.
2020
POETRY
2020
“Happy Birthday Twice”, a Pandemitime Poem and Three Images By Lynne Sachs
A poem from the pandemic.
2020
Lynne Sachs & Paolo Javier read poems on KGB Bar Zoom
On Monday, September 28 from 7 to 9 PM EST, the renowned NYC Lower East Side literary gathering space KGB Bar will host my dear compatriot Paolo Javier and me in a two-person poetry reading and film screening.
2020
Poet’s House: Language Is a Temptation – Readings from Bernadette Mayer’s “Memory”
Lynne Sachs reads from July 30th’s entry of Bernadette Mayer’s book “Memory”.
2020
Tennessee Literary Magazine Features a Poem from “Year by Year”
Chapter 16 – A Community of Tennessee Writers, Readers & Passersby features Lynne Sachs’ poem “2010” from “Year by Year”.
2020
Tender Buttons Press publishes Year by Year Poems by Lynne Sachs
When filmmaker Lynne Sachs turned fifty, she dedicated herself to writing a poem for every year of her life, so far. Each of the fifty poems investigates the relationship between a singular event in Sachs’ life and the swirl of events beyond her domestic universe.
2020
Rob McLennan Interviews Lynne Sachs – Year By Year Poems
Lynne Sachs talks process and inspiration with Rob McLennan.
2020
McNally Jackson – Double Trouble in the Roaring Twenties: Valery Oisteanu and Lynne Sachs
New York poets Valery Oisteanu and Lynne Sachs make distillations, sometimes with words, sometimes with images.
2020
Greenlight Bookstore: An Evening with Tender Buttons Press
To celebrate the press’s 30th birthday and the publication of the new Tender Omnibus collection, Greenlight hosts a night of reading and conversation featuring three Tender Buttons poets.
2020
Cleaver Magazine – YEAR BY YEAR: Poems reviewed by Sharon Harrigan
“These poems are innovative but never intimidating or deliberately opaque. Instead, they invite us in, encouraging us to play along. They give us a structure to enter into our own retrospective lives, our own distillations of time, our own superimpositions of the newsworthy world onto our most intimate moments.” – Sharon Harrigan
