NON-FICTION

“On Writing the Film Essay” by Lynne Sachs

I feel a closeness to writers, poets and painters, much more than to traditional film directors. For one thing, we ciné experimenters are not bound by the plot-driven mechanics of cause and effect that, for me, often bring the transcendent experience of watching a movie to a grinding halt.

Flaherty Stories: Lynne Sachs

I was 23 years old when I attended my first Flaherty Seminar as a fellow in 1984.

I’d never taken a cinema studies class. I was just beginning to figure out how film could become the place to bring together my love for art and politics.

Cinema of Resistance Collection of Films

Hello fellow documentartians, We are gathering CINEMA OF RESISTANCE videos from all over the US/ World beginning with the historical Jan. 21, 2017 Women’s March.

This Camera Fights Fascism in Otherzine

As a filmmaker and a long-term progressive activist, I have been thinking and talking about the connection between our media practice and the crisis that is our current political situation. From the environment to reproductive health to immigration, Donald Trump is trying to dismantle every aspect of the Obama legacy.

Rabbis of the Round Table

Back in 2004, I proposed to my husband Mark Street that I start a Torah study group for our half-Jewish-half-secular-humanist (the only unofficial faith or –ism he would embrace) 9 and 7 year-old daughters Maya and Noa Street-Sachs. He agreed reluctantly and skeptically, convinced that this passing fancy of mine for constructing a homemade form of religious learning would certainly go the way of Pilates or learning to cook.

Some Thoughts on my Friend Chris Marker

In San Francisco in the mid-1980s, I saw Chris Marker’s “Sans Soleil”. I witnessed his mode of daring, wandering filmmaking with a camera. Alone, he traveled to Japan, Sweden and West Africa where he pondered revolution, shopping, family, and the gaze in a sweeping but intimate film essay that shook the thinking of more filmmakers than any film I know. Marker’s essay film blended an intense empathy with a global picaresque. Simultaneously playful and engaged, the film presented me with the possibility of merging my interests in cultural theory, politics, history and poetry — all aspects of my life I did not yet know how to bring together – into one artistic expression.

Roundtable on Digital Filmmaking in October Magazine

We are here to discuss the various ways digital technologies have, and have not, impacted experimental filmmaking. There was a time, in the mid-1990s, if not before, when some people argued that digital technologies were revolutionary and that they would fundamentally change filmmaking. Now that the dust has settled, or at least started to settle, and we can look back over the last fifteen or twenty years, the “digital revolution” might not seem like a revolution at all. We want to talk about both what has stayed the same and what has changed in experimental filmmaking thanks to the advent of digital technologies.

Lynne at Punto de Vista Film Festival, Pamplona, Spain

“Naming an international film festival after a term for subjectivity is, in my mind, a radical stance. Rather than taking the more obvious city or country identified name, which brings attention to the community, the Punto de Vista festival celebrates a first person cinema based on the documentary practice of working with reality, that privileges the expression of ideas over the dissemination of information.”