Framework / Volume 65, Issue 1: A Festschrift for MM Serra
A very special double issue of Framework devoted to the work of MM Serra.
2025
NON-FICTION
2024
Time & Place: on the work of Lynn Marie Kirby / X Artists’ Books
Lynne Sachs contributes to book on the work of Lynn Marie Kirby
2024
Interview with Narcisa Hirsch by Lynne Sachs 2008
Interview with Narcisa Hirsch by Lynne Sachs in 2008.
2023
“Where do framed bodies go?” by Lynne Sachs / Analog Cookbook Issue #7 – Analog Erotica
The 7th issue of Analog Cookbook, titled Analog Erotica, looks at sexuality, erotic imagery, and pornography’s contributions to radical artistic practices in relation to analog media.
2023
“Hindsight is 20/20” by Lynne Sachs / Tenement Press
‘Hindsight is 20/20.’ It’s a double entendre, one of the best.
2022
“A Hard Act to Follow” / An Essay by Lynne Sachs
Born in 1936 in Memphis, Tennessee, my father has always chosen the alternative path in life, a path that has brought unpredictable adventures, multiple children with multiple women, brushes with the police and a life-long interest in trying to do some good in the world.
2021
Flash Flaherty: Tales from a Film Seminar- Published, feat. Lynne Sachs
Flash Flaherty,the much-anticipated follow-up volume to The Flaherty: Decades in the Cause of Independent Cinema, offers a people’shistory of the world-renowned Robert Flaherty Film Seminar, an annual event where participants confront and reimagine the creative process surrounding multiple document/documentary forms and modes of the moving image.
2020
Docs in Orbit / Masters Episode – Lynne Sachs – Part 2
In the second part of this two-part interview, Lynne Sachs discusses her latest feature length documentary film, FILM ABOUT A FATHER WHO.
2020
Docs in Orbit / Masters Episode – Lynne Sachs – Part 1
Lynne Sachs discusses feminist film theory, experimental filmmaking, and her collaborative approach in this two-part interview.
2020
In Celebration of the Darkness: What Can Happen When the Lights Are Out
I would make a few films that allowed me to “open the door” on a person, group of people or place that I knew little about in order to develop a deeper understanding through my filmmaking. Then, I would turn the camera back on myself and my immediate surroundings to produce more personal, introspective films.
