NON-FICTION

In Celebration of the Darkness: What Can Happen When the Lights Are Out

I would make a few films that allowed me to “open the door” on a person, group of people or place that I knew little about in order to develop a deeper understanding through my filmmaking. Then, I would turn the camera back on myself and my immediate surroundings to produce more personal, introspective films.

Grasshopper Film – Single Take: Lynne Sachs on Jean-Luc Godard

As much I call myself a cinéphile, there are certain times in my filmmaking process — be it the production or post-production phase — when I try not to watch anything that is not going to help me strategize on how to solve a particular obstacle in front of me.

“On Writing the Film Essay” by Lynne Sachs

I feel a closeness to writers, poets and painters, much more than to traditional film directors. For one thing, we ciné experimenters are not bound by the plot-driven mechanics of cause and effect that, for me, often bring the transcendent experience of watching a movie to a grinding halt.

Flaherty Stories: Lynne Sachs

I was 23 years old when I attended my first Flaherty Seminar as a fellow in 1984.

I’d never taken a cinema studies class. I was just beginning to figure out how film could become the place to bring together my love for art and politics.

Cinema of Resistance Collection of Films

Hello fellow documentartians, We are gathering CINEMA OF RESISTANCE videos from all over the US/ World beginning with the historical Jan. 21, 2017 Women’s March.

This Camera Fights Fascism in Otherzine

As a filmmaker and a long-term progressive activist, I have been thinking and talking about the connection between our media practice and the crisis that is our current political situation. From the environment to reproductive health to immigration, Donald Trump is trying to dismantle every aspect of the Obama legacy.