FILMS/VIDEOS

Carolee, Barbara and Gunvor

From 2015 to 2017, Lynne visited with Carolee Schneemann, Barbara Hammer and Gunvor Nelson, three multi-faceted artists who have embraced the moving image throughout their lives.

The Washing Society

The Washing Society a film by Lizzie Olesker and Lynne Sachs 44 min. 2018 When you drop off a bag of dirty laundry, who’s doing the washing and folding?  THE WASHING SOCIETY brings us into New York City laundromats and the experiences of the people who work there. Collaborating together for the first time, filmmaker […]

Tip of My Tongue

To celebrate her 50th birthday, filmmaker Lynne Sachs gathers together other people, men and women who have lived through precisely the same years but come from places like Iran or Cuba or Australia or the Lower East Side, not Memphis, Tennessee where Sachs grew up. She invites 12 fellow New Yorkers – born across several continents in the 1960s – to spend a weekend with her making a movie. Together they discuss some of the most salient, strange, and revealing moments of their lives in a brash, self-reflexive examination of the way in which uncontrollable events outside our own domestic universe impact who we are.

And Then We Marched

Filmmaker Lynne Sachs shoots Super 8mm film of the Jan. 21 Women’s March in Washington, D.C. and intercuts this recent footage with archival material of early 20th Century Suffragists marching for the right to vote, 1960s antiwar activists and 1970s advocates for the Equal Rights Amendment.

Viva and Felix Growing Up

For the first three years of my twin niece’s and nephew’s lives, I used my 16mm Bolex camera to film them growing up in New York City with their two dads (my brother Ira Sachs and his husband Boris Torres) and their mom (Kirsten Johnson). The film ends with a Gay Pride Day embrace.

Every Fold Matters

EVERY FOLD MATTERS is a live performance and a film project that looks at the charged, intimate space of the neighborhood laundromat and the people who work there.

Starfish Aorta Colossus

Poetry watches film. Film reads poetry. Paolo Javier’s text is a catalyst for the digital sculpting of an 8mm Kodachrome canvas. Syntactical ruptures and the celebration of nouns illuminate twenty-five years of rediscovered film journeys.

Drift and Bough

I spent a morning this winter in Central Park shooting film in the snow.