She Carries the Holiday in Her Eyes
A picture of parallels and swirls, two women touch with eyes closed, use cameras in motion, discover a holiday of optics.
2023
FILMS/VIDEOS
2022
Swerve
Paolo Javier is a poet who thinks like a filmmaker. I am a filmmaker who thinks like a poet. In Swerve, we’ve come up with our own kind of movie language, or at least a dialect that articulates how we observe the world together as two artists using images, sounds, and words.
2021
Figure and I
Kristine Leschper wrote to me with a very intriguing proposition: create a short film in response to her song “Figure and I”. I knew that this deeply rhythmic two-minute song needed some kind of somatic imagery.
2021
E•pis•to•lar•y: Letter to Jean Vigo
In a cinema letter to French director Jean Vigo, Lynne Sachs ponders the delicate resonances of his 1933 classic “Zero for Conduct” in which a group of school boys wages an anarchist rebellion against their authoritarian teachers.
2021
Retrospective – “Lynne Sachs: Between Thought and Expression” curated by Edo Choi, Asst. Curator, Museum of the Moving Image
This five-part retrospective offers a career-ranging survey of Sachs’s work.
2021
Maya at 24 (2021)
Conscious of the strange simultaneous temporal landscape that only film can convey, we watch Maya in motion at each distinct age.
2020
Orange Glow
“A face crumbling blueness fragment building crag in fuchsia light is not space but a stroke a swim a brush indivisible from the eye that carves sight.”
2020
The Clapping
“The Clapping” evokes the inside-out of our lives in May 2020, sheltering in place during Covid-19’s first wave
