ARTICLES

In Celebration of the Darkness: What Can Happen When the Lights Are Out

I would make a few films that allowed me to “open the door” on a person, group of people or place that I knew little about in order to develop a deeper understanding through my filmmaking. Then, I would turn the camera back on myself and my immediate surroundings to produce more personal, introspective films.

Grasshopper Film – Single Take: Lynne Sachs on Jean-Luc Godard

As much I call myself a cinéphile, there are certain times in my filmmaking process — be it the production or post-production phase — when I try not to watch anything that is not going to help me strategize on how to solve a particular obstacle in front of me.

Thoughts on Jonas Mekes

Jonas Mekas died yesterday, but with this close to a full, feisty and mostly extraordinarily fun life, he leaves us all with so much. From an early age, Jonas came to understand that living the life of an artist to the very fullest meant that you were expected to create something that would last beyond your last breath. Before anyone was really using the word “community”, Jonas was building a formidable infrastructure that would be the very foundation for the survival of the personal cinema he loved so dearly.

Flaherty Stories: Lynne Sachs

I was 23 years old when I attended my first Flaherty Seminar as a fellow in 1984.

I’d never taken a cinema studies class. I was just beginning to figure out how film could become the place to bring together my love for art and politics.