I feel a closeness with writers, poets and painters, much more than with traditional film “directors.” We share a love of collage. In the kinds of films I make, there are fissures in terms of how something leads to something else. Relationships and associations aren’t fixed.
It’s far from a straightforward documentary, but much of what makes it so experimental actually happened off-screen; in 2011, after first learning about “hot bed houses” from a family member, Sachs decided to collaborate with her cast rather than merely film them recounting their stories.
I have found several of Lynne Sachs’s films unusually disarming.