I was 23 years old when I attended my first Flaherty Seminar as a fellow in 1984.
I’d never taken a cinema studies class. I was just beginning to figure out how film could become the place to bring together my love for art and politics.
“Carolee, Barbara and Gunvor” creates a path that moves from the gesture of an initial encounter to an aesthetic manifestation — through the manipulation of images, textures and movements. In this way, the film presents a different kind of documentary, bringing to the forefront a human landscape that opens up through intimate contact between the director and three women pioneers in the history of experimental film.
Dear Helene, …I begin by conveying to you the shock of what I have witnessed. These words are a translation of the visual experiences I had last night an early this morning. My words will be absolute, nothing left to interpretation. From my lash to your lobe.
Hello fellow documentartians, We are gathering CINEMA OF RESISTANCE videos from all over the US/ World beginning with the historical Jan. 21, 2017 Women’s March.
In the words of renowned film avant-gardist Hans Richter, essay films “’make problems, thoughts and even ideas’ perceptible … they ‘render visible what is not visible.’”
I am in Greece with my sister Dana Sachs, my brother-in-law Todd Berliner and friend Jennifer Maraveyais, as part of Humanity Now: Direct Refugee Relief program.
In reading MacCabe’s new short, anecdotal memoir, Studio: Remembering Chris Marker, we can easily glean that the passage of thoughts from-lip-to-ear-and-back-again between these two cerebral fellows left an indelible imprint on MacCabe.
In March and April, 2017 I was invited to be an artist-in-residence at Beta Local in San Juan, Puerto Rico.
As a filmmaker and a long-term progressive activist, I have been thinking and talking about the connection between our media practice and the crisis that is our current political situation. From the environment to reproductive health to immigration, Donald Trump is trying to dismantle every aspect of the Obama legacy.
Lynne Sachs’ latest film Tip of My Tongue, which has its world premiere as the festival’s closing night selection, is a beautiful, poetic collage of memory, history, poetry, and lived experience, in all its joys, sorrows, fears, hopes, triumphs, and tragedies.
