Producers’ Forum with Lynne Sachs: “Film About a Father Who” / Scribe Video Center
Over a period of 35 years between 1984 and 2019, filmmaker Lynne Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr.
Over a period of 35 years between 1984 and 2019, filmmaker Lynne Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr.
In this screening we invite you to watch and discuss select works by Sachs that defy genre through the use of hybrid forms and cross-disciplinary collaboration, incorporating the essay film, collage, performance, documentary, and poetry.
Things have changed a lot, over the years. Back then if someone asked me where they could watch my films I just could say that they were only screened at film festivals or museums.
From October 4 to 8, 8 films from around the world will be screened, and professional conferences will be organized, such as the master class of the Venezuelan Goya nominee Andrés Duque
We wrap the month’s programs on October 27 with A Reality Between Words and Images, a screening of works by Lynne Sachs with the artist in attendance.
Lynne Sachs, filmmaker, poet and artist based in New York, will be in charge of opening the festival from 6:30 p.m. at Fundació Sa Nostra with her latest film Film about a father who.
November’s Featured Poet is Lynne Sachs. She is an experimental filmmaker and poet, whose films and poetry combine to explore family, feminism, form, and process.
“Insurgent Articulations”Canyon Discovered ProgramsCurated by Ekin PinarOctober 2, 2022http://connects.canyoncinema.com/program/insurgent-articulations/ About the Program A strong interest in the social, political, and cultural contexts has always been part and parcel of a good variety of experimental filmmaking practices, even though canonical works on experimental cinema tend to focus solely on the formal explorations that supposedly reflect the […]
Since 2008, the Experimental Lecture Series has presented veteran filmmakers who immerse themselves in the world of alternative, experimental film.
In what is now widely regarded as the world’s first public
demonstration of television, a human face could not be fully
transmitted.