Through creative juxtapositions of narrative and documentary elements, filmmaker Lynne Sachs and playwright Lizzie Olesker chronicle the disappearing public space of the neighborhood laundromat and the continual, intimate labor that happens there.
With the Midterm Election approaching, Devon Narin-Singh put together this program to explore a different way of political filmmaking. Each of the films in this program use a personal poetic expression as a jumping off point to explore larger political issues. Produce in the aftermath of Drumpf’s Election, each of these films advocate for the need for artistic expression and joyous ways of rebelling.
Lizzie Olesker and Lynne Sachs’ film is a creative, often lyrical study of laundromat service workers in New York City – women who do a hard job for far too little money. Using a mixture of actors and real industry workers, the directors create a portrait of economic oppression and human resilience that provokes dismay and empathy in equal measure – and yet the hard dose of reality is leavened with poetic visual touches and a warm, humanist tone.
Faced with the challenge of making a documentary for which the voices of undocumented immigrants were crucial, filmmakers Lynne Sachs and Lizzie Olesker had to push the boundaries of convention. The result is The Washing Society, which will see its Canadian première at the Vancouver International Film Festival, as part of the festival’s Impact programming.