“From the Outside In: Investigation as a Language In the Films of Lynne Sachs” at DocAviv
A Conversation with Lynne Sachs, director of Film About a Father Who… and States of Unbelonging, with co-author Nir Zats, moderated by Dr. Laliv Melamed
2020
PRESS
2020
Next Best Picture – Uncertain Times: What Is The Future of the Film Festival?
“Adding a virtual component to a festival enlarges audience and artist participation.” – Lynne Sachs
2020
Docs In Orbit – Masters Edition: In Conversation with Lynne Sachs
Welcome to another Masters Edition episode of Docs in Orbit, where we feature conversations with filmmakers who have made exceptional contributions to documentary film.
2020
Rain Taxi Reviews “Year by Year”
“…an indication of how richly resonant these poems are, with their skillful intermingling of private and public.” – John Bradley
2020
“A Month of Single Frames” at DokuFest Kosova 2020
“A Month of Single Frames” will play in the International Docs program at the 19th Annual DokuFest.
2020
Sachs/ Selcer Collaboration Featured in “The Current Thing”
“The living planet has brought us back to earth. Dreamlike travels were, nonetheless, recorded. Self-reflections, Weltschmerz, philosophemes, midlife-crisis-ridden disaster-monologues, poems, revolutionary manifestos and other “insights” transformed into writing, drawing, and even film. “
2020
Maysles: STILL/MOVING Poetry and Documentary Final Showcase
“In addition to demonstrating possibilities for collaborative art-making, these works reflect a mode of sustained intimacy through a moment of unprecedented distance.”
2020
Visit Lynne Sachs on Decameron Row
In this idiosyncratic, virtual place, the curious could click on a window and peek into each others’ lives, much like we had already been doing with one another.
2020
Poet’s House: Language Is a Temptation – Readings from Bernadette Mayer’s “Memory”
Lynne Sachs reads from July 30th’s entry of Bernadette Mayer’s book “Memory”.
2020
Senses of Cinema Reviews the 27th Sheffield Doc/Fest
“The lecture interrogates what it means for the camera to analyse the human body and what it means that the body that is in power when filming, the filmmaker’s, is entirely invisible.” – Sofie Cato Mass
