PRESS

Fandor presents: Lynne Sachs’ Seven Forms of Filmmaking

Video: Lynne Sachs’ Seven Forms of Filmmaking Seven Forms of Filmmaking: Lynne Sachs from Fandor Keyframe on Vimeo. By Joel Bocko March 19, 2016 All of Lynne Sachs‘ films blur the lines between avant-garde, documentary and narrative, but few employ as many different styles and mediums as States of Unbelonging. This essay film, as much […]

Light + Sound Machine Presents… YES/NO: THE CINEMA OF LYNNE SACHS

Likely the most accomplished experimental filmmaker to come from Tennessee, Memphis-native Lynne Sachs’ 30-year career has produced some of the most mesmerizing, contemplative observations on culture and communication ever committed to celluloid (and sometimes digital video.)

Lynne Sachs visits Nashville’s Light & Sound Machine at Third Man Records

The Light and Sound Machine is at it again, bringing Nashvillians some of the most interesting experimental cinema, current and historical, screening anywhere in the Southeast. On Thursday, Sept. 17, L&SM welcomes veteran filmmaker Lynne Sachs for a program of works spanning her 30-year career, beginning with her first released film and ending with her latest.

The Peculiar Intimacy of a NYC Laundromat

When it was a reading series staged in laundromats around the country, The New Yorker described “Every Fold Matters” as a “collaborative, site-specific performance exploring the strange intimacy of the everyday ritual.” The series used performers to act out themes of gendered work, gentrification, and the intermittent weirdness of city life. Playwright and director Lizzie Olesker and filmmaker Lynne Sachs are reuniting to turn the live performance into a film. For Polarr, Emily von Hoffmann spoke with them to find out more.

Fandor’s Fix gives female directors a vital platform

Lynn Hershman Leeson, Lynne Sachs and Nina Menkes are American independent, experimental filmmakers who have been making movies for three decades. Their films have been showcased at international festivals, and they’ve won numerous awards.

The New Yorker on Every Fold Matters

The piece, created by the playwright and director Lizzie Olesker and the filmmaker Lynne Sachs, highlights the perspective of laundry workers. It’s playing for three nights at a Brooklyn laundromat, performed by the singer and actress Jasmine Holloway, the actress and dancer Veraalba Santa, and the actors Ching Valdes-Aran and Tony Torn.

The Brooklyn Rail: “Laundromat-Theater: Where Every Fold Matters”

The legacy of domestic work, the issues surrounding power, and the exchange of money for services are all potent themes which rise to the surface and bubble over in dramatic, thrilling escalations of the everyday. A laundromat is a public space where something private occurs; it is the opposite of a typical theater, a private space in which a public event occurs. Nearly every element of Every Fold Matters pushes the boundaries of what is private and what is public, what is real and what is fiction, and where we find narrative fulfillment in any of the above.