MOTHER WORKS @ Microscope Gallery (including Same Stream Twice by L. Sachs)

Microscope_Gallery_logo

This Sunday night I will show Same Stream Twice a new short film I made in collaboration with my daughter Maya Street-Sachs in this program at Microscope Gallery in Bushwick, Brooklyn.   As some of you know, I was very inspired by conceptual artist Mary Kelly’s Post Partum Document in the early 90’s so I am excited to see the interview with her that is part of this program. I am also curious to see the piece by Linda Montano and her daughter. Linda is the performance artist who wore and lived in monochromatic colors for seven years in the 1970s.
Maya and I will both be at Microscope. I hope you can join us.
Lynne

Sunday November 11, 7pm
MOTHER WORKS
Videos by Catherine Elwes, Marni Kotak, Linda Mary Montano, and Lynne Sachs
plus a rare interview with Mary Kelly
Admission $6

Microscope Gallery
4 Charles Place
Bushwick, Brooklyn

With women issues at the forefront of recent political and social discourse, we present an evening of videos by working women artists including Catherine Elwes, Marni Kotak, Linda Mary Montano and Lynne Sachs concerning motherhood. The program features original video works and a rare interview with artist Mary Kelly, covering four decades from the setting of 70s feminism, where motherhood was often marginalized, to today’s over-the-top celebration of mommy culture.

The common element in these very different  approaches to the experience of motherhood and the mother/child relationship is the elevation of the personal daily experience. Each of the works – even when unstated – is also a collaboration with the artist’s son or daughter, or in the case of one, with her own mother.

MICROSCOPE GALLERY
presents film, video, sound, performance, new media and other time-based artists through exhibitions, screenings
and other events.

http://www.microscopegallery.com/?page_id=4744

PROGRAM includes:

“There is a Myth”, Catherine Elwes, video, color, sound, 19 minutes, 1984
A single breast fills the screen and is repeatedly pummelled by the infants hand. These brutal caresses soon produce the desired effect and milk oozes from the swollen nipple. The viewer, deprived of any conventionally sexual reading, is left to confront or repress pre-lingual memories of the physical and psychological pleasures of lactation.  — C E

“Little Brother”, Marni Kotak w/ Ajax Kotak Bell, HD video, color, sound, 12 minutes, 2012
The latest in series of collaborative video works in which the artist equips her young child with a video to record his daily activities and the world he encounters. The featured segments were recorded during the past month.

“The Birth of Baby X”, Marni Kotak, video, color, sound, 4:30 minutes, 2012
Documentation from the live birth performance “The Birth of Baby X” in which the artist gave birth to her son as a work of art.

“Mom Art”, Linda Mary Montano, color, sound, 23 minutes, 2012
An interview between Mildred Montano and Linda Mary Montano (1970′s) featuring Mildred Montano’s paintings.

“Same Stream Twice”, Lynne Sachs with Maya Street-Sachs, 16mm b&w to DVD, 4 minutes, 2001-2012
My daughter’s name is Maya. I’ve been told that the word maya means illusion in Hindu philosophy. In 2001, I photographed her at six years old, spinning like a top around me. Even then, I realized that her childhood was not something I could grasp but rather – like the wind – something I could feel tenderly brushing across my cheek. Eleven years later, I pull out my Bolex camera  once again and she allows me to film her – different but somehow the same. — L S

In addition, a 17 minute segment from a rare interview with artist Mary Kelly discussing her works including her influential work “Post Partum Document”.

PoW.Maya.3