Lynne Sachs: films made by a woman who… / AgX Boston Film Collective
A night of short films and discussion with legendary filmmaker Lynne Sachs featuring some of her works on/about/alongside women be they daughters, mentors, idols or friends.
A night of short films and discussion with legendary filmmaker Lynne Sachs featuring some of her works on/about/alongside women be they daughters, mentors, idols or friends.
Much like filmmaker Lynne Sachs’ acclaimed 2013 documentary hybrid YOUR DAY IS MY NIGHT, THE WASHING SOCIETY, a medium-length quasi-documentary she co-directed with performer-playwright Lizzie Olesker, penetrates the hidden worlds that exist adjacent to us.
This guide contains 28 selections from Black Film Archive. They are simply a place to start or rediscover gems, to find yourself in or retreat to.
“Lynne’s virtual workshop will include the screening of some of her own recent short film poems, including “Starfish Aorta Colossus” and “Swerve” (2015, 2022 made with poet Paolo Javier), “A Month of Single Frames” (2019)…”
Maria Lassnig may be known best for her paintings, but the artist was also a pioneer in the world of film. Lassnig’s work often focused on themes of autobiography, friendship, New York City, and, perhaps most ambitiously, physical sensation.
My engagement with Canyon Cinema started when I was a young filmmaker living in San Francisco in the mid 1980s.
MFJ / WORLDS / FALL 2022 In Memoriam: Takahiko Iimura (1937 – 2022) by Lynne Sachs for Millennium Film Journal Vol. 76 “Worlds” Fall 2022 From 1967 to 2017, Japanese film artist Takahiko limura lived with his wife Akiko in New York City. At the same time, he also lived in Tokyo. Both places he called […]
With nothing more than a clockwise twirl, Sachs captures Maya’s life at 6, 16, and 24.
Earlier in the year, we presented Tender Non-Fictions, a program of films by experimental documentarian Lynne Sachs, who has been prolifically creating works for cinema for four decades.
“The thirty-fifth annual Robert Flaherty Seminar, help this August in upstate New York, proved a case in point. With this year’s focus on work by “third world and minority film and video artists,” programmed by Pearl Bower of African Diaspora Images, excitement and expectations were high.”