CURRENT

Tip of My Tongue premieres at Museum of Modern Art

“To mark her 50th birthday, filmmaker Lynne Sachs gathers a group of her contemporaries—all New Yorkers but originally hailing from all corners of the globe—for a weekend of recollection and reflection on the most life-altering personal, local, and international events of the past half-century, creating a collective distillation of their times. Interspersed with poetry and […]

Viva and Felix Growing Up

For the first three years of my twin niece’s and nephew’s lives, I used my 16mm Bolex camera to film them growing up in New York City with their two dads (my brother Ira Sachs and his husband Boris Torres) and their mom (Kirsten Johnson). The film ends with a Gay Pride Day embrace.

Cool Worlds and Sacred Pictures: Hurston, Clarke & Sachs

Ethnography is describing the Other. In the 1920s, writer and anthropologist Zora Neale Hurston reacted to this established view with her own artistic and scholarly works on everyday cultures in her own home in America’s black south. Hurston political and poetic studies of “folk cultures” that were mostly disparaged at the time are an expression of unmitigated appreciation and a way of taking up a position within the debate on “high” and “low” art in Harlem between the wars.

Fandor presents: Lynne Sachs’ Seven Forms of Filmmaking

Video: Lynne Sachs’ Seven Forms of Filmmaking Seven Forms of Filmmaking: Lynne Sachs from Fandor Keyframe on Vimeo. By Joel Bocko March 19, 2016 All of Lynne Sachs‘ films blur the lines between avant-garde, documentary and narrative, but few employ as many different styles and mediums as States of Unbelonging. This essay film, as much […]

Time and Light : Gunvor Nelson’s Vision of Editing by Lynne Sachs

Gunvor Nelson was an extremely influential teacher of mine. Between 1985 and 1995 I lived in San Francisco and was deeply inspired and supported by other artists and curators in the Bay Area experimental film community including Trinh T. Minh-ha, Karen Holmes, Steve Anker, Kathy Geritz, Jeanne Finley, Craig Baldwin, and George Kuchar. It was in San Francisco that I met Mark Street my soulmate and collaborator. In 2015, I traveled to Sweden with Mark to visit and shoot film with Guvnor Nelson in her home studio, two decades after she had left the Bay Area.