The piece, created by the playwright and director Lizzie Olesker and the filmmaker Lynne Sachs, highlights the perspective of laundry workers. It’s playing for three nights at a Brooklyn laundromat, performed by the singer and actress Jasmine Holloway, the actress and dancer Veraalba Santa, and the actors Ching Valdes-Aran and Tony Torn.
The legacy of domestic work, the issues surrounding power, and the exchange of money for services are all potent themes which rise to the surface and bubble over in dramatic, thrilling escalations of the everyday. A laundromat is a public space where something private occurs; it is the opposite of a typical theater, a private space in which a public event occurs. Nearly every element of Every Fold Matters pushes the boundaries of what is private and what is public, what is real and what is fiction, and where we find narrative fulfillment in any of the above.
Posted 10:37 PM, December 1, 2014, by Ayana Harry NEW YORK (PIX11) – Students from several New York City High Schools walked out of their classrooms Monday afternoon at 1:01 p.m. They joined a national demonstration called #HandsUpWalkout, a protest over the shooting death of Ferguson, Missouri teen Michael Brown. Dozens of teenagers left […]
INTERVIEW: Experimental documentary filmmaker Lynne Sachs 16 Dec 2014 by Tamia Tang Link to “That’s Shanghai”: http://online.thatsmags.com/post/interview-experimental-documentary-filmmaker-lynne-sachs Image above: “What Happened in the Dragon Year?” by Xun Sun, mural painting displayed in Shanghai Biennale 2014. Award-winning American experimental filmmaker Lynne Sachs recently visited Shanghai for the Second China Women’s Film Festival with her latest offering Your […]
Here is a wonderful half-hour documentary on women and film in China and the China Women’s Film Festival which took place Nov. 21 – 30, 2014 in Beijing and Shanghai. I was honored to spend nine days as an invited director and participant. During this time, I screened three of my films “The House of […]
I feel a closeness with writers, poets and painters, much more than with traditional film “directors.” We share a love of collage. In the kinds of films I make, there are fissures in terms of how something leads to something else. Relationships and associations aren’t fixed.
It’s far from a straightforward documentary, but much of what makes it so experimental actually happened off-screen; in 2011, after first learning about “hot bed houses” from a family member, Sachs decided to collaborate with her cast rather than merely film them recounting their stories.
“Leandro Katz: Arrebatos, Diagonales y Ruptures” offers visitors the rare chance to immerse themselves in the numerous visual thought pieces the artist created during his 40 years as an Argentine in New York City as well as more recent work produced since Katz’s 2006 return to Buenos Aires.