DISTRIBUTION

2017

Tip of My Tongue

To celebrate her 50th birthday, filmmaker Lynne Sachs gathers together other people, men and women who have lived through precisely the same years but come from places like Iran or Cuba or Australia or the Lower East Side, not Memphis, Tennessee where Sachs grew up. She invites 12 fellow New Yorkers – born across several continents in the 1960s – to spend a weekend with her making a movie. Together they discuss some of the most salient, strange, and revealing moments of their lives in a brash, self-reflexive examination of the way in which uncontrollable events outside our own domestic universe impact who we are.

2010

Wind in Our Hair

Inspired by the stories of Argentine writer Julio Cortázar, yet blended with the realities of contemporary Argentina, “Wind in Our Hair” is an experimental narrative directed by New York filmmaker Lynne Sachs about four girls discovering themselves through a fascination with the trains that pass by their house. A story of early-teen anticipation and disappointment, “Wind in Our Hair” is circumscribed by a period of profound Argentine political and social unrest.

2009

Lynne Sachs 10 Short Films (1987-2007) DVD Compilation

Lynne Sachs is best known for her spirited and lyrical essay films—films defined by an unwavering woman’s inflection and a commitment to pry the cracks in official history. However, throughout Sachs’s career, we’ve been treated to a succession of short experimental works that tease out the details of the everyday with the same clarity of vision and instinct for the hand-nurtured image as her much-lauded lengthier works.

2009

The Last Happy Day

“A fascinating, unconventional approach to a Holocaust-related story … a frequently charming work that makes no effort to disguise an underlying melancholy.” George Robinson, The Jewish Week

2008

Georgic for a Forgotten Planet

“I began reading Virgil’s Georgics, a 1st Century epic agricultural poem, and knew immediately that I needed to create a visual equivalent about my own relationship to the place where I live, New York City. Culled from material I collected at Coney Island, the Lower East Side, Socrates Sculpture Garden in Queens, a Brooklyn community garden and a place on Staten Island that is so dark you can see the three moons of Jupiter. An homage to a place many people affectionately and mysteriously call the big apple.”

2006

A Collection of Films Exploring Women, Culture, Science & Myth

This DVD collection presents two of Lynne Sachs’ earlier films with several more recent media works — all of which explore themes of women, culture, science & myth. The creative as well as intellectual inner workings of these projects are revealed for the first time in the context of an elaborately conceived, yet accessible disc.

2006

States of UnBelonging

The core of this haunting meditation on war, land, the Bible, and filmmaking is a portrait of Revital Ohayon, an Israeli filmmaker and mother killed near the West Bank. Director Lynne Sachs creates a film on the violence of the Middle East by exchanging letters with an Israeli friend. Together, they reveal Revital’s story through her films, news reports, and interviews, culminating in heartbreaking footage of children discussing the violence they’ve witnessed.

2006

THE XY CHROMOSOME PROJECT #1

THE XY CHROMOSOME PROJECT #1
An impressionistic odyssey for the eyes becomes both haunting and delightful in this moving image dream expedition.

2001

Photograph of Wind

My daughter’s name is Maya. I’ve been told that the word maya means illusion in Hindu philosophy. As I watch her growing up, spinning like a top around me, I realize that her childhood is not something I can grasp but rather – like the wind – something I feel tenderly brushing across my cheek.

2001

Investigation of a Flame

This film is currently only available with a password. Please write to info@lynnesachs.com to request access. Investigation of a Flame:  A Portrait of the Catonsville Nine by Lynne Sachs 45 min. color and B&W, 2001 plus 5 min. Sundance Channel documentary on Daniel Berrigan and the making of the film On May 17, 1968 nine […]