“Film About a Father Who” Screening In Madrid
The film will screen on February 26th and 27th at La Casa Encendida.
2022
PRESS
2022
Sachs Films To Be Featured on Ovid.tv – February 9th, 2022
Other titles in OVID’s February slate include Shirley Clarke’s Beat classic THE CONNECTION, the delightful Hong Kong genre farce VAMPIRE CLEANUP DEPARTMENT, Ilan Ziv’s eye-opening EXILE, A MYTH UNEARTHED, and five more indelible short films by OVID favorite Lynne Sachs.
2022
The House of Sachs: A Museum of Intersubjectivity / The Big Other Pod
An in-depth discussion between film makers David Cox and Lynne Sachs on subjects ranging from logocentrism to detritus and fragments and the world the structuralist legacy left us.
2022
The Screen’s Margin: The Works of Lynne Sachs – Two-Part Podcast
Lynne Sachs talks about her films, which are being showcased on Ovid.tv.
2022
The Film Experience: “The 25 Best Documentaries of 2021”
“Sachs, in fact, builds her own cinematic grammar to help construct an understanding of her father…”
2022
Mimesis Documentary Festival 2021 – In Review / CU Boulder
In 2021, Mimesis held its first-ever hybrid (in-person + virtual) Documentary Festival, hosted in August by the Dairy Arts Center in Boulder, Colorado with major support from the Stewart Family Foundation.
2022
Otros Cines Europa: “La Casa Encendida opens the family albums of contemporary cinema”
“In the series, two filmmakers, Lynne Sachs and Mercedes Gaviria study their relationships with their respective fathers, both men with powerful and absorbing personalities.”
2022
Seventh Row: “Film About A Father Who” on Best Docs & Films of 2021
“Film About a Father Who feels like a culmination of a career of family-focused work.”
2022
Talkhouse Film – Best of 2021 – “Film About A Father Who”
A selection of poll ballots from filmmakers, including Megan Griffiths, Lloyd Kaufman and Sandi Tan, choosing their best of 2021.
2022
“Maya at 24” Selected in Beyond Chron’s Best of 2021
“Lynne Sachs’ short uses the simple image of her daughter Maya running in front of the camera to offer kinetic snapshots of how our children change physically and emotionally over the years.”
