Tennessee Literary Magazine Features a Poem from “Year by Year”
Chapter 16 – A Community of Tennessee Writers, Readers & Passersby features Lynne Sachs’ poem “2010” from “Year by Year”.
2020
PRESS
2020
Film About a Father Who Streaming at Sarasota Film Festival and Q&A
Catch “Film About a Father Who” online for a limited time at the Sarasota Film Festival (https://sarasotafilmfestival.com/)
2020
Lynne Sachs on The Experimental Film Podcast
Dedicated exclusively to experimental film and its makers, The Experimental Film Podcast host Ken Hess interviews Lynne Sachs.
2020
“She Observes Herself and Others Learning (Lynne Sachs and Christina Lucas)” and mention in May 2022 Film Diary – Roland Barfs
“…hey operate at different ends of the same recent aesthetic tendency, exploring quantification and its limitations.”
2020
Lynne Sachs on Jury for 58th Ann Arbor Film Festival
We’re incredibly excited to announce the selection of three esteemed jurors for the 58th Ann Arbor Film Festival, scheduled for March 24–29, 2020. The three will attend the six-day festival, viewing more than 120 films in competition and awarding roughly $22,500 in cash and in-kind awards.
2020
Film Forward: Film About a Father Who| Slamdance 2020
Sachs presents multiple perspectives by liberally jumping backwards and forwards in time, capturing Ira at different ages and points in his life. In doing so, the film doesn’t draw attention to how he changes so much as what stays the same…
2020
Rob McLennan Interviews Lynne Sachs – Year By Year Poems
Lynne Sachs talks process and inspiration with Rob McLennan.
2020
Film Forward: Film About a Father Who, Queen of the Capital – Slamdance 2020
…But the documentary seems to argue that due to the complexity of familial bonds, only those caught inside should get to define them.
2020
“Five Star Book:Year by Year — Poems by Lynne Sachs”
“She, in telling her own stories of milestones both political and personal perfectly captures the way that all of our lives interweave with larger events.”
2020
48 Hills: “What We Saw at Sundance Pt. 2: A Sidetrip to Slamandce”
Sachs, referencing the title of Yvonne Rainer’s landmark feminist feature Film About a Woman Who (1974), practices what Rainer was preaching—and in turn has constructed one of the most powerfully pertinent documentaries of recent years.
