Awards of the International Competition Prizes awarded by the International Jury
Members of the International Jury: Frank Beauvais (France), Lerato Bereng (South Africa), Dmitry Frolov (Russia), Michał Matuszewski (Poland), Brittany Shaw (USA)
Grand Prize of the City of Oberhausen
A Month of Single Frames Lynne Sachs USA 2019, 14 min. 12 sec., colour
Statement: In the age of necessary social distancing, we would like to highlight a remarkable film which fulfills the noblest vocation of art, fostering an emotional connection between people from different times and geographical locations. For the ability to find poetry and complexity in simple things, for its profound love for life and people, and for attention to detail in working with delicate matters, we decided to award the Grand Prize of the City of Oberhausen to A Month of Single Frames by Lynne Sachs.
The world’s oldest short film competition is a forum for experiments, unusual content and formats, and the place for cinematic discoveries. Every year, filmmakers from all over the world present themselves here.
The International Competition selection includes artistic contributions from all genres, explores the freedom of the short form, surprises and enriches the audience. The industry audience research new films here and a premiere screened in this competition is often a springboard for selection by other festivals – not least for the Oscar (Academy of Motion Picture Arts and Sciences).
The competition presents a selection of the most interesting works of the year and invites filmmakers from all over the world to present their work in person. In the International Competition, only German festival premieres are shown, including numerous world premieres. There is also a focus on works from countries outside the strong production infrastructures, especially from Eastern and South Eastern Europe and the African states.
The films selected by an independent committee from well over 6,000 submissions compete for prize money of 25,500 €. Prizes are awarded by four juries: the International Jury, the Jury of the Ministry of Culture and Science of North Rhine-Westphalia, the Ecumenical Jury and the FIPRESCI Jury.
Jury of the International Competition 2020
Frank Beauvais, filmmaker, France Lerato Bereng, curator, South Africa Dmitry Frolov, curator, Russia Michał Matuszewski, curator, Poland Brittany Shaw, curator, USA
Among the international competition films were works by
Eija-Liisa Ahtila, Santiago Álvarez, Lindsay Anderson, Roy Andersson, Kenneth Anger, Andrea Arnold, Yael Bartana, Neil Beloufa, Jürgen Böttcher, Walerian Borowczyk, Stan Brakhage, Vera Chytilová, Jem Cohen, Terence Davies, Khavn De La Cruz, Valie Export, Milos Forman, Robert Frank, Karpo Godina, James Herbert, Takashi Ito, Joris Ivens, Ken Jacobs, Jean-Pierre Jeunet, Isaac Julien, Miranda July, William Kentridge, Jan Lenica, George Lucas, Dusan Makavejev, Jonas Mekas, Mike Mills, Kornel Mundruczo, Robert Nelson, Yoko Ono, Adina Pintilie, Roman Polanski, Laure Prouvost, Alain Resnais, Pipilotti Rist, Martin Scorsese, Cate Shortland, John Smith, Michael Snow, Alexander Sokurov, Jan Svankmajer, Eva Stefani, István Szabó, Matsumoto Toshio, François Truffaut, Gus Van Sant, Agnès Varda, Bill Viola, Apitchatpong Weerasethakul, Jia Zhang-Ke, Zelimir Zilinik
Full 2020 Program
Australia Cuckoo Roller, Paddy Hay, 2019, 15’10”, International Competition The Echo, Michael Gupta, 2020, 02’30”, Children’s and Youth Film Competition
Austria Heavy Metal Detox, Josef Dabernig, 2019, 12’00”, International Competition Pomp, Katrina Daschner, 2020, 07’43”, International Competition
Austria/Germany The Institute, Alexander Glandien, 2020, 13’00”, German Competition This Makes Me Want to Predict the Past, Cana Bilir-Meier, 2019, 16‘05‘‘, German Competition
Belgium Le Poisson fidèle, Atelier Collectif, 2019, 07’40”, Children’s and Youth Film Competition
Belgium/Georgia Da-Dzma, Jaro Minne, 2019, 15’36”, International Competition
Brazil Baile, Cíntia Domit Bittar, 2019, 18’00”, Children’s and Youth Film Competition O Jardim Fantástico, Fábio Baldo/Tico Dias, 2020, 20’30”, International Competition
Canada Le mangeur d’orgues, Diane Obomsawin, 2019, 01’19”, International Competition Oursons, Nicolas Renaud, 2019, 09’10”, International Competition
Canada/Portugal The Initiation Well, Chris Kennedy, 2020, 03’30”, International Competition
Chile Extrañas Criaturas, Cristina Sitja/Cristobal Leon, 2019, 15’00”, International Competition/Children’s and Youth Film Competition
China I Am the People_I, Li Xiaofei, 2019, 25’00”, International Competition Phoenix, Su Zhong, 2020, 07’27”, International Competition
Colombia PLATA O PLOMO, Nadia Granados, 2019, 04’19”, International Competition Ramón, Natalia Bernal Castillo, 2020, 07’10”, Children’s and Youth Film Competition
Croatia Porvenir, Renata Poljak, 2020, 12’15”, International Competition Strujanja, Katerina Duda, 2019, 16’10”, International Competition
Cuba Las Muertes de Arístides, Lázaro Lemus, 2019, 16’10”, International Competition
Czech Republic Apparatus as a Goal of History, Zbyněk Baladrán, 2019, 13’52”, International Competition Milenina píseň, Anna Remešová/Marie Lukacova, 2019, 09’01”, International Competition
Finland Patentti Nr. 314805, Mika Taanila, 2020, 02’16”, International Competition Talvinen järvi, Petteri Saario, 2019, 15’00”, Children’s and Youth Film Competition
Finland/Hungary Crossing Paths, Éva Freund, 2019, 09’55”, International Competition
France Cœur Fondant, Benoît Chieux, 2019, 11’20”, Children’s and Youth Film Competition Esperança, Cécile Rousset/Jeanne Paturle/Benjamin Serero, 2019, 05’25”, Children’s and Youth Film Competition Never look at the Sun, Baloji, 2019, 05’16”, International Competition Mat et les gravitantes, Pauline Penichout, 2019, 26’00”, International Competition Moutons, loup et tasse de thé…, Marion Lacourt, 2019, 12’10”, Children’s and Youth Film Competition Sous la canopée, Bastien Dupriez, 2019, 06’38”, Children’s and Youth Film Competition Têtard, Jean-Claude Rozec, 2019, 13’40”, Children’s and Youth Film Competition Un lynx dans la ville, Nina Bisiarina, 2019, 06’48”, Children’s and Youth Film Competition
France/Argentinia Aquí y allá, Melisa Liebenthal, 2019, 21’41”, International Competition
France/China Nan Fang Shao Nv (She Runs), Qiu Yang, 2019, 19’32”, Children’s and Youth Film Competition
France/Germany Sans plomb, Louise Groult, 2019, 08‘00‘‘, Children’s and Youth Film Competition
France/Morocco Sukar, Ilias El Faris, 2019, 09’00”, Children’s and Youth Film Competition
France/South Africa/Germany Shepherds, Teboho Edkins, 2020, 27’00”, German Competition/International Competition
France/South Korea Boriya, Min Sung Ah, 2019, 17’13”, Children’s and Youth Film Competition
Georgia/Germany Scenes from Trial and Error, Tekla Aslanishvili, 2020, 32’00”, German Competition
Germany Abgelaufen, Roman Schaible, 2019, 04’39”, MuVi Award AQUA IMPROMPTU, Ebba Jahn, 2019, 13’12”, German Competition attractions, Patrick Wallochny, 2019, 04’16”, Children’s and Youth Film Competition Beasts Of No Nation, Krzysztof Honowski, 2019, 09’28”, German Competition Becky’s Weightloss Palace, Bela Brillowska, 2020, 08’00”, Children’s and Youth Film Competition Berzah, Deren Ercenk, 2020, 26’22”, NRW Competition Causality and Meaning, Martin Brand, 2020, 09’17”, German Competition Chico Crew I, Christine Gensheimer, 2020, 2’17”, MuVi Award Das war unsere BRD, Ariane Andereggen/Ted Gaier, 2019, 10’01”, MuVi Award Der natürliche Tod der Maus, Katharina Huber, 2020, 21’34”, German Competition Die sehen ja nur, die wissen ja nichts, Silke Schönfeld, 2020, 26’58”, NRW Competition Dunkelfeld, Marian Mayland/Patrick Lohse/Ole-Kristian Heyer, 2020, 17’35”,German Competition Eurydike, Zaza Rusadze/Andreas Reihse, 2020, 03’45”, MuVi Award Freeze Frame, Soetkin Verstege, 2019, 05’00”, Children’s and Youth Film Competition Ganze Tage zusammen, Luise Donschen, 2019, 23’00”, German Competition If there is love, you will take it, Daniel Hopp, 2020, 10’41”, German Competition Im toten Park, Moritz Liewerscheidt, 2019, 08’00”, NRW Competition Introspektion, Hamid Kargar, 2019, 04’14”, MuVi Award Jona, Jonathan Schaller, 2019, 16’12”, NRW Competition Kunst, Dietrich Brüggemann, 2019, 03’57”, MuVi Award L’Artificio, Francesca Bertin, 2020, 23’00”, German Competition Labor of Love, Sylvia Schedelbauer, 2020, 11’30”, German Competition Mad Mieter, M + M (Weis/De Mattia), 2019, 06’09”, German Competition Nackenwirbel, DIE GLITZIES/Nina Werner/Simon Quack/André Siegers/Bernd Schoch, 2020, 05’53”, MuVi Award Passage, Ann Oren, 2020, 12’48”, German Competition Phoenix, Florian Felix Koch, 2020, 13’32”, NRW Competition Play Me That Silicon Waltz Again, Rainer Knepperges, 2019, 03’41”, NRW Competition schichteln, Verena Wagner, 2019, 21’28”, German Competition Shadowbanned, Jan Lankisch, 2020, 03’28”, MuVi Award Semiotics of the City, Daniel Burkhardt, 2020, 04’00”, NRW Competition SUGAR, Bjørn Melhus, 2019, 20’30”, German Competition there may be uncertainty, Paul Reinholz, 2020, 28’58”, NRW Competition Vicious, Lucie Friederike Mueller, 2019, 02’35”, MuVi Award VIVE LA LIBERTÉ, Dieter Reifarth/Vollrad Kutscher, 2019, 05’32”, German Competition Wer sagt denn das?, Timo Schierhorn/UWE, 2019, 03’00”, MuVi Award
Germany/India them people, Nausheen Javed, 2020, 05’37”, NRW Competition
Germany/Jordan The Ghosts We Left at Home, Faris Alrjoob, 2020, 21’00”, German Competition
Germany/Latvia Klusā daba, Anna Ansone, 2020, 22’00”, NRW Competition
Germany/Turkey Letters from Silivri, Adrian Figueroa, 2019, 15’50”, German Competition Onun Haricinde, İyiyim, Eren Aksu, 2020, 14’00”, German Competition
Germany/Ukraine Nolove, Sergii Kushnir, 2020, 03’27”, MuVi Award
Germany/USA Sketch Artist, Loretta Fahrenholz, 2019, 03’44”, MuVi Award
Ghana King of Sanwi, Akosua Adoma Owusu, 2020, 07’18”, International Competition *
Greece BELLA, Thelyia Petraki, 2020, 24’30”, International Competition
Hungary/Armenia What We Still Can Do, Nora Ananyan, 2019, 14’34”, International Competition
India Bittersweet, Sohrab Hura, 2019, 13’48”, International Competition
Ireland Christy, Brendan Canty, 2019, 14’17”, Children’s and Youth Film Competition Receiver, Jenny Brady, 2019, 14’36”, International Competition
Japan Chinbin Western, Kazoku no Hyosho (Chinbin Western, Representation of the family), Chikako Yamashiro, 2019, 32’00”, International Competition yumemi banani utsutsu (Dreaming Away), Yuta Masuda, 2019, 09’38”, International Competition
Kyrgyzstan Abzel, Aizhamal Akchalova, 2019, 11’47”, International Competition Ayana, Aidana Topchubaeva, 2019, 20’44”, Children’s and Youth Film Competition
Latvia MAN, Yulia Timoshkina, 2020, 11’45”, International Competition
Malaysia Camera Trap, Chris Chan Fui Chong, 2019, 09’40”, International Competition
Mexico ( ( ( ( ( /*\ ) ) ) ) ) (ecos del volcán), Charles Fairbanks/Saul Kak, 2019, 18’15”, International Competition Dresden Codex, Colectivo los ingrávidos, 2019, 04’59”, International Competition
Nepal Junu Ko Jutta, Kedar Shrestha, 2019, 13’02”, Children’s and Youth Film Competition
Netherlands Elf, Luca Meisters, 2019, 12’52”, Children’s and Youth Film Competition En route, Marit Weerheijm, 2019, 10’09”, Children’s and Youth Film Competition L’eau Faux, Serge Onnen/Sverre Fredriksen, 2020, 15’30”, International Competition Zachte Krachten, Julia Kaiser, 2019, 20’56”, International Competition
Norway Cuojnasat, Ann Holmgren, 2019, 02’34”, Children’s and Youth Film Competition
Philippines Escape Velocity, Jon Lazam, 2019, 02’00”’, International Competition We still have to close our eyes, John Torres, 2019, 13’00”, International Competition
Poland Śnię o Rosji, Evgeniia Klemba, 2020, 08’50”, International Competition
Portugal Six Portraits of Pain, Teresa Villaverde, 2019, 25’02”, International Competition
Singapore The Smell of Coffee, Nishok Nishok , 2019, 11’38”, Children’s and Youth Film Competition
South Korea Front Door, Ye-jin Lee, 2019, 03’12”, Children’s and Youth Film Competition
Spain Grietas, Alberto Gross, 2019, 12’23”, Children’s and Youth Film Competition Profecía, Julieta Juncadella, 2020, 13’11”, International Competition
Sweden En film, Mårten Nilsson, 2019, 04’14”, International Competition Jamila, Sophie Vukovic, 2019, 13’02”, Children’s and Youth Film Competition
Switzerland Alma Nel Branco, Agnese Làposi, 2019, 24’50”, International Competition Der kleine Vogel und die Bienen, Lena von Döhren, 2020, 04’30”, Children’s and Youth Film Competition Gira Ancora, Elena Petitpierre, 2019, 22’09”, International Competition Warum Schnecken keine Beine haben, Aline Höchli, 2019, 10’44”, Children’s and Youth Film Competition
Switzerland/UK Getting Started, William Crook, 2019, 02’01”, Children’s and Youth Film Competition
Taiwan Wan Ru Yan Huo (Like Fireworks), Ting-wei Chang,, 2019, 15’00”, Kinder- und Jugendfilmwettbewerb
Thailand I’m Not Your F***ing Stereotype, Hesome Chemamah, 2019, 28’59”, Children’s and Youth Film Competition
Turkey Ahtapot, Engin Erden, 2019, 12’26”, Children’s and Youth Film Competition MAMAVILLE, Irmak Karasu, 2019, 20’46”, International Competition
UK A Thin Place, Fergus Carmichael, 2019, 12’16”, International Competition Amaryllis – a Study, Jayne Parker, 2020, 07’00”, International Competition Dungarees, Abel Rubinstein, 2019, 05’30”, Children’s and Youth Film Competition Hacer Una Diagonal Con La Musica, Aura Satz, 2019, 10’20”, International Competition Hard, Cracked the Wind, Mark Jenkin, 2019, 17’18”, International Competition Our Largest, Marcus Forde, 2019, 05’32”, Children’s and Youth Film Competition Turning, Linnéa Haviland, 2019, 01’50”, Children’s and Youth Film Competition
UK/Germany Junkerhaus, Karen Russo, 2019, 07’30”, International Competition
USA A Song Often Played on the Radio, Raven Chacon/Cristobal Martinez, 2019, 23’25”, International Competition A Month of Single Frames, Lynne Sachs, 2019, 14’12”, International Competition Furthest From, Kyung Sok Kim, 2019, 18’58”, Children’s and Youth Film Competition Hampton, Kevin Jerome Everson/Claudrena N. Harold, 2019, 06’00”, International Competition Isn’t it a Pity, Heather Trawick, 2019, 07’50”, International Competition
South Korea/USA Latency/ Contemplation 6, Seoungho Cho, 2020, 06’51”, International Competition
Vietnam/Taiwan không đề #2 (untitled #2), Nguyen Anh Tu Pham, 2019, 03’02”, International Competition
April 30- May 2, 2020 The 17th Annual Iowa City International Documentary Festival
The Iowa City International Documentary Film Festival (ICDOCS) is an annual event run by students at the University of Iowa. Our mission is to engage local audiences with the exhibition of recent short films that explore the boundaries of nonfiction filmmaking. We seek innovative new works of 30 minutes or less that both complicate and expand upon conventional approaches to nonfiction and documentary.
I Can’t/Lori Felker / US / 2020 / 5:00/ Silent – A roll of film is not a successful conduit for grief.
SIR BAILEY /Matthew Ripplinger / Canada / 2018 / 8:00 – A portrait of the filmmaker’s old friend. The film’s surgical cutting and state of decay symbolizes Bailey’s suffering of bone cancer, consisting of home made photographic emulsion, contact printing, and reticulation. Sir Bailey embarks on an existential journey through the shattering photo-chemical plane during his last day of life.
LIMEN/Kathryn Ramey / US / 2019 / 2:06 – Threshold. At the boundaries of perception. Between one state and another.
Ascensor/Adrian Garcia Gomez / US / 2019 / 8:02 – Ascensor is an exploration of grief, longing and mysticism through a queer lens. It documents a syncretic ritual that culls from the magical reverberations in Mexican culture to process the unexpected loss of a dear friend. The repetition of the ritual eventually leads to the transcendence of physical space, transforming unrelenting ache into shining resilience. Philip Horvitz 1960 – 2005
A Month of Single Frames/ Lynne Sachs with and for Barbara Hammer/ US / 2019 / 14:00 – In 1998, filmmaker Barbara Hammer had an artist residency in a shack without running water or electricity. While there, she shot film, recorded sounds and kept a journal. In 2018, Barbara began her own process of dying by revisiting her personal archive. She gave all of her images, sounds and writing from the residency to filmmaker Lynne Sachs and invited her to make a film with the material. Through her own filmmaking, Lynne explores Barbara’s experience of solitude. She places text on the screen as a confrontation with a somatic cinema that brings us all together in multiple spaces and times.
Pilgrim/Cauleen Smith US / 2016 / 11:00 – A live recording of an Alice Coltrane piano performance accompanied by a visual track that documents a pilgrimage across the USA taken by Cauleen Smith, tracing historic sites of creativity and generosity that were an inspiration to her: Alice Coltrane’s Sai Anantam Ashram; the Watts Towers; and the Watervliet Shaker Historic District.
Headroom + Vertical Cinema Present: Films by/ with/ for Barbara Hammer
For the last experimental film event of the season, Headroom and Vertical Cinema are appropriately teaming up to present a memorial screening of collaborations by Barbara Hammer, curated by Deborah Stratman!
With a career spanning fifty years, Barbara Hammer is recognized as a pioneer of queer cinema. A visual artist working primarily in film and video, Hammer created a groundbreaking body of experimental work that illuminates lesbian histories, lives and representations. Stated Hammer, “My work makes these invisible bodies and histories visible. As a lesbian artist, I found little existing representation, so I put lesbian life on this blank screen, leaving a cultural record for future generations.”
Barbara Hammer was born in 1939 in Hollywood, California. She lived and worked in New York until her death in 2019.
This set of films, collaborations made by, with, and for Barbara Hammer was curated by Deborah Stratman, who will be in attendance at the screening.
In 1998, filmmaker Barbara Hammer had a one-month artist residency in the C Scape Duneshack which is run by the Provincetown Community Compact in Cape Cod, Massachusetts. The shack had no running water or electricity. While there, she shot 16mm film with her Beaulieu camera, recorded sounds with her cassette recorder and kept a journal.
In 2018, Barbara began her own process of dying by revisiting her personal archive. She gave all of her Duneshack images, sounds and writing to filmmaker Lynne Sachs and invited her to make a film with the material.
“While editing the film, the words on the screen came to me in a dream. I was really trying to figure out a way to talk to the experience of solitude that Barbara had had, how to be there with her somehow through the time that we would all share together watching her and the film. My text is a confrontation with a somatic cinema that brings us all together in multiple spaces at once.” — Lynne Sachs
Support provided by Wexner Center Film/ Video Studio and Artist Residency Award – Jennifer Lange, Curator. Additional Editing by Paul Hill; with gratitude to Florrie Burke.
“The result is an incredibly potent study of life in all its many forms and the difficulty of facing one’s own mortality … Sachs deliberately contrasts Hammer’s shots of the gorgeous sun-dappled ridges with her close-ups of plants and insects, setting the grand majesty of the world against its delicate minutiae to form a rich tapestry of life among the banks. Crucially, the film never feels manufactured or over-structured. Sachs successfully maintains the feeling of an off-the-cuff journal that captures Hammer’s ideas as they come to her… At the beginning of the film, Hammer reads from her diary “I didn’t shoot it, I saw it,” and it is this feeling of spontaneous observation and meditation that Sachs manages to recapture so successfully here.”
–Robert Salsbury, One Room With A View
Winner of the Grand Prize of the City of Oberhausen at the 66th Annual Oberhausen Film Festival
“In the age of necessary social distancing, we would like to highlight a remarkable film which fulfills the noblest vocation of art, fostering an emotional connection between people from different times and geographical locations. For the ability to find poetry and complexity in simple things, for its profound love for life and people, and for attention to detail in working with delicate matters, we decided to award the Grand Prize of the City of Oberhausen to A Month of Single Frames by Lynne Sachs.”
Statement from Oberhausen Jury
This film is currently only available with a password. Please write to info@lynnesachs.com to request access.
LUX & Club des Femmes present Evidentiary Bodies: Celebrating Barbara Hammer & Carolee Schneemann
Sat 13 – Sun 14 Jul 2019 / Sat 7pm-9pm / Sun 1pm-9pm
LUX, Waterlow Park Centre, Dartmouth Park Hill, London, N19 5JF
Free
Join LUX & Club des Femmes for a weekend of films, introductions, memories, a zine and an exhibition of ephemera and texts to celebrate the lives and work of feminist experimental artists Barbara Hammer and Carolee Schneemann.
With a career spanning fifty years, Barbara Hammer (1939-2019) is recognized as a pioneer of queer cinema. A visual artist working primarily in film and video, Hammer created a groundbreaking body of experimental work that illuminates lesbian histories, lives and representations. “My work makes these invisible bodies and histories visible. As a lesbian artist, I found little existing representation, so I put lesbian life on this blank screen, leaving a cultural record for future generations.”
Carolee Schneemann (1939-2019), a groundbreaking performance and multidisciplinary artist, used film and video since the 1960s. Shattering taboos and redefining the notion of the erotic, she confronted sexuality, gender, and the social construction of the female body. Schneemann lived in London in the early 1970s and was an active member of the London Film-Makers’ Co-operative.
With words and contributions from Gabriella Beckhurst, Caroline Bergvall, Club des Femmes, Stuart Comer, David Curtis, Helen de Witt, Karen Di Franco, Philomena Epps, Beatrice Gibson, Alison Green, Laura Guy, Lucy Harris, So Mayer, Krystyna Mazur, Ara Osterweil, Lucy Reynolds, Selina Robertson, Ingrid Ryberg, Bryony White, Matt Wolf, Bev Zalcock, amongst others.
SATURDAY 13 JULY, 7PM-9PM
Dyketactics (Barbara Hammer, 1974, 16mm, 4 min) Fuses (Carolee Schneemann, 1967, 16mm, 25 min) Plumb Line (Carolee Schneemann, 1968-1972, 16mm, 15 min) Bent Time (Barbara Hammer, 1984, 16mm, 22 min)
SUNDAY 14 JULY, 1PM-9PM
1PM Carolee, Barbara & Gunvor (Lynne Sachs, 2018, Super 8mm and 16mm to HD, 8 min) Audience (Barbara Hammer, 1982, 16mm to HD, 32 min)
3PM Meatjoy (Carolee Schneemann, 1964/2010, 16mm to HD, 10 min)
4PM Vever (for Barbara) (Deborah Stratman, 2019, HD, 12 min) A Month of Single Frames (Lynne Sachs, 2019, 16mm to HD, 14 min)
6PM Kitch’s Last Meal (Carolee Schneemann, 1973-76, 16mm to HD, composite, 54 min) Evidentiary Bodies (Barbara Hammer, 2018, 3 channel HD video, 9 min)
Please note that the times for Sunday are indicative.
It’s a free event with no reservation. We will do our best to accomodate everyone but please be aware that space in the screening room is limited
With thanks to the estates of Barbara Hammer & Carolee Schneemann, Florrie Burke, EAI, Karl McCool, Rebecca Cleman, Cinenova, Felicity Sparrow, Lynne Sachs, Deborah Stratman, Canyon, Mark Toscano & everyone else who has contributed ideas, enthusiasm and advice to the project.
Barbara Hammer and Carolee Schneemann at the 2018 EAI Benefit. Photograph by Conrad Ventur. Courtesy of Conrad Ventur and Electronic Arts Intermix (EAI), New York.
