How Lynne Sachs Turns Spoken Word Into Cinematic Language
A long-overdue retrospective of the feminist artist and filmmaker demonstrates how she explores communication in her work.
A long-overdue retrospective of the feminist artist and filmmaker demonstrates how she explores communication in her work.
“With “Film About a Father Who” we are presented with the fundamental truth that people are complicated creatures who are sometimes impossible to understand fully.”
“the experience isn’t meant to feel seamless, but instead explore the sense of dépaysement, of being out of your own comfort zone, and revelling in that unfamiliarity and curiosity.”
“Albeit set in very different contexts, the films draw attention to the ongoing struggles contemporary women face, and not just in the countries depicted.”
“There is no such thing as unskilled labour—only unseen, or unappreciated.”
“Lynne Sachs builds her story with the consummate skill which viewers have come to expect from her films: seamlessly weaving together diverse fragments of sound and picture so that they tell a complicated and ambiguous story in a way that constantly draws you in. “
“From the cramped quarters of New York’s Chinatown where individual beds are rented, Your Day is My Night artfully brings hidden immigrants into the light.”
Lynne Sachs discusses her body of work, the unpredictability of celluloid, and the use of language in her films.
Through the power of visual and aural association, several domains of the exhibit simultaneously unfold in front of us: the personal, the public and the historical.
Filmmaker Lynne Sachs, in conversation with Festival Director Cíntia Gil, will discuss 5 films that form her Director’s Focus