Lynne Sachs Interviews Kirsten Johnson for DAFilms
Discussion with filmmaker Kirsten Johnson (Cameraperson, Dick Johnson Is Dead) about her work and method on DAFilms Live. Moderated by Lynne Sachs.
Discussion with filmmaker Kirsten Johnson (Cameraperson, Dick Johnson Is Dead) about her work and method on DAFilms Live. Moderated by Lynne Sachs.
“In this tenth edition of the CRFIC we have the honor of having its director, Lynne Sachs, as a guest of our retrospective,” continued Chaves, “whom we are excited to present for her mixture of fiction, documentary, experimental cinema, performance and other media. ”
“A Month of Single Frames” will play on June 10, 17, & 18.
Slamdance: News from NowhereMay 2022https://preview.mailerlite.com/h8g0m3h0y4 Celebrating Asian American and Pacific Islander Heritage Month on Slamdance Channel In recognition of Asian American and Pacific Islander Heritage Month, the Slamdance Channel is highlighting Asian voices throughout the entire month of May, including new films premiering on the channel for the first time. Featured films include: The Bin […]
“Figuring out the unique grammar of your life can be difficult. People, situations, can give us question marks with no answers and ellipses that lead to nothing. Lynne Sachs, a Memphis-born experimental filmmaker, attempted to answer some of these questions in her own life with the 2020 documentary, Film About a Father Who…”
Continuing the wild Animal Spirits/Spirit Animals theme from last season!
“In a cinema letter to Jean Vigo, film essayist Lynne Sachs ponders the delicate resonances of the short-lived but mightily influential French director’s sublime, dynamically inventive 1933 classic ZÉRO DE CONDUITE, in which a group of schoolboys wage an anarchist rebellion against their authoritarian teachers.”
The festival will take place fully in-person at BAM Rose Cinemas in Brooklyn and will feature a blend of premieres, new restorations, along with in-person filmmaker Q&As.
“[Barbara’s] time in the dune shack was thrilling for her and she would be gratified that her work has come full circle to land here at AMP in Provincetown.”
“Something altogether surprising happened when Prismatic Ground opened its virtual curtains to the world in 2021. People from all over the globe were watching and writing about experimental, underground, international, radical, poetic, and personal cinema…”