CURRENT

Agnès Films: Supporting Women & Feminist Filmmakers – Review by Alexandra Hidalgo

The film is generous in its portrayal of Sachs’ father and achingly vulnerable in its attempt to make sense of the wake of affection and resentment he has left behind. Sachs takes a story that could have been overly dramatic and judgmental and instead constructs a nuanced meditation on what it feels like to love someone whose actions have hurt us and others.

Go Indie Now: Slamdance 2020

Documentaries are often that idea that what you see is not what you will get in the end and in a way because of the brave way in which Lynne chooses to put herself out there, comfortable or not, we really see a 4th wall crash that presents such a compelling and shocking result.