PRESS

Agnès Films: Supporting Women & Feminist Filmmakers – Review by Alexandra Hidalgo

The film is generous in its portrayal of Sachs’ father and achingly vulnerable in its attempt to make sense of the wake of affection and resentment he has left behind. Sachs takes a story that could have been overly dramatic and judgmental and instead constructs a nuanced meditation on what it feels like to love someone whose actions have hurt us and others.

Go Indie Now: Slamdance 2020

Documentaries are often that idea that what you see is not what you will get in the end and in a way because of the brave way in which Lynne chooses to put herself out there, comfortable or not, we really see a 4th wall crash that presents such a compelling and shocking result.

The New York Times: 4 Film Series to Catch in NYC This Weekend

Film About a Father Who” (on Tuesday and Feb. 14), shown at the parallel event Slamdance, is actually partly set in that ski town; in it, the filmmaker Lynne Sachs creates a layered cinematic essay about being the daughter of the “Hugh Hefner of Park City.”

Criterion Daily: Doc Fortnight 2020

Also arriving in New York straight from Park City is Film About a Father Who,which opened this year’s Slamdance. Director Lynne Sachs says that it “bears witness to the familial tensions that arose from my attempt to understand the web that connects a child to her parent and a sister to her siblings, some of whom I have known all their lives, others I only recently discovered.”