Camera Lucida Film Festival 2020
November 7 – 21 (online)
Cámara Lúcida has the purpose of being the convergence of cinematography surrounded by poetry, politics and sensitivity; like the main axis of their aesthetic and narrative being; purposes that deserve being preserved in a society that, slowly but strongly, tries to disappear the criticism and meditation through the overwhelming homogenization.Cámara Lúcida manifesto
Cámara Lúcida distinguishes itself for showcasing films that show the mixture of regards and identities, turning the screening into an empathic place to the public, through film inquiries that acquire their own free voice; making cinephilia a space of coexistence and political mindfulness.
Ground transmissions · 4
They shoot letters, they write movies.
Notes, Charms: part I
2020 – USA / Ecuador – 27 ‘
An autobiographical accumulation of instances that describe inhabiting a post-industrial landscape, the end of a love story, and the politics of the intimate and the public. The camera as an annotation and remembrance device, beyond evoking the past, becomes a tool for the appearance and exorcization of specters. A movie as an act to forget.
Playback. Essay of a farewell.
2019 – Argentina – 14 ‘
Agustina ComediFar from the Argentine capital, in Córdoba, the end of the dictatorship predicts a spring that will last very little. “” La Delpi “” is the only survivor of a group of transvestite and transvestite friends who, towards the end of the 80s, began to die, one after another, of AIDS. In a Catholic and provincial city, the Kalas Group made playbacks and improvised dresses their weapon and their trench coat. Today the images from a unique and unpublished archive are a farewell letter, a manifesto to friendship.
2020 – Ecuador – 6 ‘
Daniela Delgado Viteri
An imaginary dialogue.
Here and there
2019 – Argentina – France – 21 ‘
Here and there is an essay that asks about the meaning of being at home. The filmmaker uses photographs, maps and Google Earth to connect sites around the globe, not only belonging to her past, but also to her family’s complex migratory history, dating back to Hitler’s Germany and Mao’s China. . The real and the virtual are equally confusing: here or there? Maybe both at the same time.
A Month of Single Frames
2020 – USA – 14 ‘
Lynne SachsIn 1998, filmmaker Barbara Hammer had a month-long art residency in Cape Cod, Massachusetts. The hut had no running water or electricity. While there, he shot a 16mm film, recorded sounds, and kept a journal. In 2018, Barbara began her own death process by reviewing her personal file. She gave all her images, sounds, and writing from the residency to filmmaker Lynne Sachs and invited her to make a movie.