Tag Archives: Your Day is My Night

Lynne Sachs’ Films on Ovid

Lynne Sachs’ Films on Ovid
https://www.ovid.tv/lynne-sachs

Films Available:
A Biography of Lillith
Investigation of a Flame
The Last Happy Day
Sermons and Sacred Pictures
Starfish Aorta Colossus
States of Unbelonging
Which Way Is East: Notebooks from Vietnam
Your Day is My Night
Tip of My Tongue
And Then We Marched
A Year of Notes and Numbers

About Lynne Sachs
Lynne Sachs makes films, installations, performances and web projects that explore the intricate relationship between personal observations and broader historical experiences by weaving together poetry, collage, painting, politics and layered sound design. Strongly committed to a dialogue between cinematic theory and practice, she searches for a rigorous play between image and sound, pushing the visual and aural textures in her work with each and every new project. Between 1994 and 2009, her five essay films took her to Vietnam, Bosnia, Israel, Italy and Germany — sites affected by international war – where she looked at the space between a community’s collective memory and her own subjective perceptions.

Recently, after 25 years of making experimental documentaries, Lynne learned something that turned all her ideas about filmmaking upside down. While working on Your Day is My Night in the Chinatown neighborhood of New York City, she came to see that every time she asked a person to talk in front of her camera, they were performing for her rather than revealing something completely honest about their lives. The very process of recording guaranteed that some aspect of the project would be artificial. She decided she had to think of a way to change that, so she invited her subjects to work with her to make the film, to become her collaborators. For Lynne, this change in her process has moved her toward a new type of filmmaking, one that not only explores the experiences of her subjects, but also invites them to participate in the construction of a film about their lives.

Her films have screened at the New York Film Festival, the Sundance Film Festival, Toronto’s Images Festival and Los Angeles’ REDCAT Theatre as well as a five-film retrospective at the Buenos Aires Film Festival. The San Francisco Cinematheque recently published a monograph with four original essays in conjunction with a full retrospective of Lynne’s work. In 2014, Lynne received a Guggenheim Foundation Fellowship in Film and Video.


About Ovid
With the help of an unprecedented collaborative effort by eight of the most noteworthy, independent film distribution companies in the U.S., Docuseek, LLC launched an innovative, new, subscription video-on-demand service, OVID.tv.

OVID.tv will provide North American viewers with access to thousands of documentaries, independent films, and notable works of international cinema, largely unavailable on any other platform.

OVID’s initial offerings fall into roughly three categories: a) powerful films addressing urgent political and social issues, such as climate change, and economic justice; b) in-depth selections of creative documentaries by world-famous directors; and c) cutting-edge arthouse feature and genre films by contemporary directors as well as established masters. And new films in all three areas will be added to the OVID collection every two weeks.

OVID.tv is an initiative of Docuseek, LLC, which operates Docuseek, a streaming service for colleges and universities which was established in 2012, streaming a library of over 1600 titles.

The eight founding content partners are:

BULLFROG FILMS The leading U.S. publisher of independently produced documentaries on environmental and related social justice issues, in business for more than 45 years, it currently distributes over 750 titles.

THE DGENERATE FILMS COLLECTION dGenerate Films distributes contemporary independent film from mainland China to audiences worldwide. They are dedicated to procuring and promoting visionary content, fueled by transformative social change and digital innovation.

DISTRIB FILMS US An independent distributor of international feature films, Distrib Films US is known for its strong collection of French and Italian fiction feature films.

FIRST RUN FEATURES Founded in 1979 by a group of filmmakers to advance the distribution of independent film, First Run has been honored with a major retrospective at the Museum of Modern Art for its significant contributions.

GRASSHOPPER FILM A distribution company founded in 2015 by Ryan Krivoshey, dedicated to the release of independent, foreign, and documentary film.

ICARUS FILMS A leading distributor of documentary films in North America, with a collection exceeding 1000 titles. It recently celebrated its 40th anniversary.

KIMSTIM A distribution company dedicated to the release of exceptional independent, foreign, and documentary film.

WOMEN MAKE MOVIES Women Make Movies (WMM), a non-profit feminist social enterprise based in New York, is the world’s leading distributor of independent films by and about women.

Lynne Sachs Featured on The Screen’s Margins Podcast

The Screen’s Margins Podcast
12/23/2021
Oll Obout Ovid! No. 21 – All the World’s Memory, Lost Course, the works of Lynne Sachs, and more!

FULL EPISODE AVAILABLE HERE:
https://anchor.fm/screensmargins/episodes/Oll-Obout-Ovid–No–21—All-the-Worlds-Memory–Lost-Course–the-works-of-Lynne-Sachs–and-more-e1c12ib/a-a74q63m

The segment on Lynne Sachs

Welcome to the 99th and final podcast from THE SCREEN’S MARGINS of the year! What a year it’s been, and what better way to round out 2021 than by…okay there’s nothing special, it’s just B Peterson and Witney Seibold talking good film that’s available on Ovid.tv, aka the premise of OLL OBOUT OVID! We talk Alain Renais’ 1956 tribute to libraries, Madeline Anderson’s documentation of Civil Rights activism and activists, Lynne Sachs’ experimental explorations of history, language and the documentary form itself, Jill Li’s chronicling of a democratic movement in Southern China, and more besides! We hope you enjoy, and thank you for your time.

Link to B’s new podcast, launching Jan 1st: anchor.fm/bluegreycloset


See Lynne’s films on Ovid.tv here:
https://www.ovid.tv/lynne-sachs


ABOUT THE SCREEN’S MARGINS
Welcome to the queer-led podcast network from @bluegreycloset, @haroldtxt, @iamthecampion, @the_hoyk and @WitneySeibold exploring lesser-known films/filmmakers.

Writers on Film – “Lynne Sachs: Portrait of a Filmmaker Who”

Writers on Film
Season 1, Ep. 23
by John Bleasdale
10/14/2021

John Bleasdale talks to Lynne Sachs, the Memphis born, Brooklyn based filmmaker on the eve of a season of her works being streamed on the Criterion Channel. Since the 1980s, Sachs has created cinematic works that defy genre through the use of hybrid forms and collaboration, incorporating elements of the essay film, collage, performance, documentary and poetry. Her films explore the intricate relationship between personal observations and broader historical experiences. With each project, she investigates the implicit connection between the body, the camera, and the materiality of film itself.

Over her career, Sachs has been awarded support from the Guggenheim Foundation, the NYFA, and Jerome Foundation. Sachs has made 40 films (including Tip of My TongueYour Day is My NightInvestigation of a Flame, and Which Way is East). Her films have screened at the Museum of Modern Art, Wexner Center, the Walker, the Getty, New York Film Festival, and Sundance. In 2021, Edison Film Festival and Prismatic Ground Film Festival at Maysles Documentary Center awarded Sachs for her body of work.

Sachs is also deeply engaged with poetry. In 2019, Tender Buttons Press published her first book Year by Year Poems. In 2020 and 2021, she taught film and poetry workshops at Beyond Baroque, Flowchart Foundation, San Francisco Public Library, and Hunter.  www.lynnesachs.com

After comprehensive career retrospectives at Sheffield Doc/Fest 2020 and the Museum of the Moving Image in 2021, the Criterion Channel is delighted to announce that director Lynne Sachs’ films will join the Channel in October 2021 along with a newly recorded director interview exploring her works. Sachs will be making her the Criterion Channel debut with seven earlier works followed by her latest feature, Film About a Father Who, recently released theatrically by Cinema Guild and receiving its exclusive streaming premiere with the Criterion Channel. 

The Film Stage: MUBI Unveils October 2021 Lineup

The Film Stage
By Jordan Raup
September 21, 2021
https://thefilmstage.com/mubi-unveils-october-2021-lineup/

The U.S. lineup at MUBI next month has been unveiled, featuring films by Claude Chabrol, Paulo Rocha, Ulrich Köhler, and more. Notable new releases include Pedro Costa’s striking Locarno winner Vitalina Varela as well as the Julia Fox-led PVT Chat (check out our extensive interview with director Ben Hozie here.).

As part of their series Thrills, Chills, and Exquisite Horrors, the Martin Scorsese favoriteWake in Fright joins MUBI, along with Fabrice Du Welz’s Alleluia, Nicolas Winding Refn’s underseen Fear X, and Ben Wheatley’s trippy A Field in England

Check out the lineup below and get 30 days free here.

October 1 | Alléluia | Fabrice Du Welz | Thrills, Chills, and Exquisite Horrors

October 2 | Styx | Wolfgang Fischer    

October 3 | The Green Years | Paulo Rocha | Double Bill: Paulo Rocha

October 4 | Change of Life | Paulo Rocha | Double Bill: Paulo Rocha

October 5 | Your Day Is My Night | Lynne Sachs    

October 6 | Hey, You! | Péter Szoboszlay | Fables, Folklore, Futurism: Visionary Hungarian Animations

October 7 | The Wall | Julian Pölsler    

October 8 | Vitalina Varela | Pedro Costa    

October 9 | The Third Lover | Claude Chabrol | A New Wave of Suspense: A Claude Chabrol Double Bill

October 10 | Landru | Claude Chabrol | A New Wave of Suspense: A Claude Chabrol Double Bill

October 11 | Moving On | Yoon Dan-bi | New South Korean Cinema

October 12 | In Search of the Famine | Mrinal Sen | Voice of the Unheard: A Mrinal Sen Retrospective

October 13 | Corporate Accountability | Jonathan Perel | Undiscovered

October 14 | I Like Life a Lot | Katalin Macskássy | Fables, Folklore, Futurism: Visionary Hungarian Animations

October 15 | Two Gods | Zeshawn Ali | MUBI Spotlight

October 16 | Fear X | Nicolas Winding Refn | Thrills, Chills, and Exquisite Horrors

October 17 | Séraphine | Martin Provost | Portrait of the Artist

October 18 | Cosmos | Manon Briand, Marie-Julie Dallaire, Denis Villeneuve, André Turpin, Jennifer Alleyn, Arto Paragamian    

October 19 | Lucky Chan-Sil | Kim Cho-hee | New South Korean Cinema

October 20 | Endless Night | Eloy Enciso | The New Auteurs

October 21 | Panic | Sándor Reisenbüchler | Fables, Folklore, Futurism: Visionary Hungarian Animations

October 22 | Potiche | François Ozon | Performers We Love

October 23 | PVT Chat | Ben Hozie | MUBI Spotlight

October 24 | In My Room | Ulrich Köhler | Double Bill: Ulrich Köhler

October 25 | Bungalow | Ulrich Köhler | Double Bill: Ulrich Köhler

October 26 | Play It Safe | Mitch Kalisa | Brief Encounters

October 27 | Hidden | Jafar Panahi | Opéra de Paris Meets Cinema’s Auteurs

October 28 | Sweetgrass | Lucien Castaing Taylor, Ilisa Barbash    

October 29 | There Is No Evil | Mohammad Rasoulof | MUBI Spotlight

October 30 | Wake in Fright | Ted Kotcheff | Thrills, Chills, and Exquisite Horrors

October 31 | A Field in England | Ben Wheatley | Thrills, Chills, and Exquisite Horrors

Cryptofiction Presents Five Films by Lynne Sachs

https://vimeo.com/ondemand/lynnesachs2
https://www.crypto-fiction.com/on-demand


Cryptofiction is excited to present five films by Lynne Sachs including: “Which Way is East” (1994); “Investigation of a Flame” (2001); “States of UnBelonging” (2005); “Your Day is My Night” (2013); and “Epistolary: Letter to Jean Vigo” (2021).

Lynne discovered her love of filmmaking while living and studying in San Francisco where she worked closely with artists Craig Baldwin, Bruce Conner, Barbara Hammer, Gunvor Nelson, and Trihn T. Min-ha. During this time, she produced her early, experimental works on celluloid which took a feminist approach to the creation of images and writing— a commitment which has grounded her body of work ever since.

From essay films to hybrid docs to diaristic shorts, Sachs has produced 40 films as well as numerous projects for web, installation, and performance. She has tackled topics near and far, often addressing directly the challenge of translation — from one language to another or from spoken work to image. These tensions were investigated most explicitly between 1994 and 2006, when Lynne produced five essay films that took her to Vietnam, Bosnia, Israel, Italy and Germany—sites affected by international war–where she looked at the space between a community’s collective memory and her own subjective perceptions.

Over her career, Sachs has been awarded support from the Guggenheim Foundation, the New York Foundation for the Arts, the Rockefeller Foundation, and the Jerome Foundation. Her films have screened at venues such as the Museum of Modern Art, Wexner Center for the Arts, the Walker and the Getty, and at festivals including New York Film Festival, the Sundance Film Festival, Punto de Vista, DocAviv, and DocLisboa. Retrospectives of her work have been presented at the Museum of the Moving Image, Sheffield Doc/Fest, Buenos Aires International Festival of Independent Cinema, Festival International Nuevo Cine in Havana, and China Women’s Film Festival. Her 2019 film “A Month of Single Frames” won the Grand Prize at Oberhausen Festival of Short Films in 2020. In 2021, both the Edison Film Festival and the Prismatic Ground Film Festival at the Maysles Documentary Center awarded Lynne for her body of work in the experimental and documentary fields.


Cryptofiction: Interview with Lynne Sachs


ABOUT

Cryptofiction is an international distribution and production platform based in London, UK.

With over 25 years of combined experience as filmmakers and over a decade as distributors, our team is devoted to bring the attention and viewership deserved by the remarkable and courageous titles that we represent. In addition to distribution services, we offer a wide range of production support for rising and established moving-image makers.

OUR MISSION

We are dedicated to supporting and representing independent cinema from around the world.

Our top priority is to foster excellence amongst an intergenerational community of visionaries and to help younger talent meet and rise in conjunction with established filmmakers. Our on-demand platform is a virtual extension of our distribution agenda. Dedicated to supporting and promoting excellent independent cinema from around the globe, we have carefully curated an exciting set of programs consisting of a mix of young and established filmmakers. As part of our ongoing programming, we offer a new range of films and thematics every 3 months. Unlike similar commercial platforms, we do not and will not operate on a subscription basis. Our viewers are encouraged to browse and watch their desired programs whenever they wish. We are hoping this platform would become a viable means to generate passive income for the remarkable artists and filmmakers that we represent. 

In addition to our on-demand services, we run an annual virtual film festival also dedicated to global intergenerational discourses on relevant thematics and contemporary issues. Supplementing these platforms are a series of one-off events and surprise programmings that bring timely attention to the work of filmmakers as unique socio-political struggles arise.


Mania Akbari (b. Tehran, 1974) is an internationally acclaimed artist and filmmaker. Her provocative, revolutionary and radical films were recently the subject of retrospectives at the BFI, Lon- don (2013), the DFI, Denmark (2014), Oldenburg International Film Festival, Germany (2014), Cyprus Film Festival (2014) and Nottingham Contemporary UK (2018). Her films have screened at festivals around the world and have received numerous awards including German Independence Honorary Award, Oldenberg (2014), Best Film, Digital Section, Venice Film Festival (2004), Nantes Special Public Award Best Film (2007) and Best Director and Best film at Kerala Film Festival (2007), Best Film and Best Actress, Barcelona Film Festival (2007). Akbari was exiled from Iran and currently lives and works in London, a theme addressed in ‘Life May Be’ (2014), co-directed with Mark Cousins. This film was released at Karlovy Vary Film Festival and was nominated for Best Documentary at Edinburgh International Film Festival (2014) and Asia Pacific Film Festival (2014). Akbari’s latest film ‘A Moon For My Father’, made in collaboration with British artist Douglas White, premiered at CPH:DOX where it won the NEW:VISION Award 2019. The film also received a FIPRESCI International Crit- ics Award at the Flying Broom Festival, Ankara.

Masterclass by Lynne Sachs at the Lighthouse International Film Festival

Lighthouse International Film Festival
Masterclass on the Every Day by LYNNE SACHS
June 6, 2021           
https://www.goelevent.com/LIFF/e/MasterclassontheEveryDaybyLYNNESACHS

FREE for filmmakers and IN&OUT PASS HOLDERS!!
According to Freud’s theory of dreams, our day residue is composed of the memory traces left by the events of our waking state. In this workshop, we explore the ways in which fragments of our daily lives can become material for the making of a personal film. While many people in the film industry rely upon a chronological process that begins with the development phase and ends with post-production, our interaction will build on an entirely different creative paradigm that encourages participants to embrace the nuances, surprises and challenges of their daily lives as a foundation for a diaristic practice.

FREE for Filmmakers and IN&OUT PASS HOLDERS

Three of Lynne Sachs films are available at Lighthouse Virtual Festival:

Your Day is My Night (64 min., 2013)

Tip of My Tongue (80 min.,2017)

Film About a Father Who (74 min. 2020)

Northwest Film Forum to Present Lynne Sachs Retrospective

Lynne Sachs Retrospective: Between Thought and Expression [Online]
May 14-31, 2021
https://nwfilmforum.org/films/lynne-sachs-retrospective-between-thought-and-expression-online/

Lynne Sachs • US • 2001-2021

About
“For more than thirty years, artist Lynne Sachs has constructed short, bold mid-length, and feature films incorporating elements of the essay film, collage, performance, and observational documentary. Her highly self-reflexive films have variously explored the relations between the body, camera, and the materiality of film itself; histories of personal, social, and political trauma; marginalized communities and their labor; and her own family life, slipping seamlessly between modes, from documentary essays to diaristic shorts.” (Edo Choi, Assistant Curator of Film, Museum of the Moving Image)

The following three programs are from Lynne Sachs: Between Thought and Expression, the Museum of the Moving Image’s retrospective series of five programs of her films.


Films in this series:

Your Day Is My Night
(Lynne Sachs, US, 2013, 64 min)
This bed doesn’t necessarily belong to any one person,” someone says early in Your Day Is My Night. It could be the metaphorical thesis of this film, perhaps Lynne Sachs’s most self-effacing and meditative work. A seamless blend of closely observed verité footage, interpretive performance, and confessional monologues and interviews, the film doesn’t document so much as create a space to accommodate the stories and experiences of seven Chinese immigrants from ages 58 to 78 who live together in a “shift-bed” apartment in Manhattan’s Chinatown. Sachs’s quilted sense of form achieves a new level of refinement and delicacy in collaboration with her cameraman Sean Hanley and her editor Amanda Katz, as she works with the participants to exhume a collective history of migration and struggle.


Tip of My Tongue
(Lynne Sachs, US, 2017, 80 min)
Sachs’s richly generative Tip of My Tongue finds the filmmaker responding to her 50th birthday by gathering twelve members of her generational cohort—friends and peers all born between 1958 and 1964, and originating as far as Cuba, Iran, and Australia—to participate in the creation of a choral work about the convergent and divergent effects history leaves upon those who live it. From the Kennedy assassination to Occupy Wall Street, the participants reveal their memories of, and reflections upon, the transformative experiences of their lives. Set to an ecstatic, pulsing score by Stephen Vitiello, the film interweaves these personal confessions with impressionistic images of contemporary New York, obscured glimpses of archival footage, and graphically rendered fragments of text to create a radiant prism of collective memory.


Short film program: Time Passes
(Lynne Sachs, US, 2001-2017, 51 min TRT)
Twenty years unspool over nine short films: portraits of Lynne Sachs’s children; visits with her mother, brother, niece and nephew; a tribute to the city where she lives; and scenes of sociopolitical trauma and protest. Nearly all shot on super 8mm or 16mm, and often silent, each work is at once a preservation of a moment and a record of change, seamlessly weaving together the candid and the performed gesture, the public and the private memory, in a simultaneously objective and subjective posture toward the passing of time.

  • Photograph of Wind (2001, 4 min)
  • Tornado (2002, 4 min)
  • Noa, Noa (2006, 8 min)
  • Georgic for a Forgotten Planet (2008, 11 min)
  • Same Stream Twice (2012, 4 min)
  • Viva and Felix Growing Up (2015, 10 min)
  • Day Residue (2016, 3 min)
  • And Then We Marched (2017, 3 min)
  • Maya at 24 (2021, 4 min)

About Lynne Sachs
Lynne Sachs is a filmmaker and poet who grew up in Memphis, Tennessee and is currently living in Brooklyn, New York. Her moving image work ranges from short experimental films to essay films to hybrid live performances. Lynne discovered her love of filmmaking while living in San Francisco where she worked closely with artists Craig Baldwin, Bruce Conner, Ernie Gehr, Barbara Hammer, Gunvor Nelson, and Trinh T. Minh-ha.

Between 1994 and 2006, she produced five essay films that took her to Vietnam, Bosnia, Israel, Italy and Germany – sites affected by international war – where she looked at the space between a community’s collective memory and her own subjective perceptions. Looking at the world from a feminist lens, she expresses intimacy by the way she uses her camera. Objects, places, reflections, faces, hands, all come so close to us in her films. Strongly committed to a dialogue between cinematic theory and practice, she searches for a rigorous play between image and sound, pushing the visual and aural textures in her work with every new project. With the making of Your Day is My Night (2013), Every Fold Matters (2015), and The Washing Society (2018), Lynne expanded her practice to include live performance.

As of 2020, Lynne has made 37 films. The Buenos Aires International Festival of Independent Cinema, Festival International Nuevo Cine in Havana, China Women’s Film Festival, and Sheffield Doc/ Fest have all presented retrospectives of her films. Lynne received a 2014 Guggenheim Fellowship in the Creative Arts.


About Edo Choi
Edo Choi is Assistant Curator of Film at the Museum of the Moving Image. Previously, he served in the dual capacity of programming manager and chief projectionist for the Maysles Documentary Center in Harlem. He has organized programs as an independent curator for the New York Public Library and the Documentary Film Group, film society at the University of Chicago, where he held the position of Programming Chair between 2008 and 2010. He also works as a freelance projectionist at venues around New York City.

STEPHEN VITIELLO: SOUNDTRACKS FOR LYNNE SACHS (VOLUME 2)

STREAM OR PURCHASE THE ALBUM HERE:
https://stephenvitiello.bandcamp.com/album/soundtracks-for-lynne-sachs-volume-2-your-day-is-my-night-the-washing-society-tip-of-my-tongue

EXCERPT- Stephen Vitiello – Soundtracks for Lynne Sachs (Volume 2, Your Day Is My Night, The Washing Society, Tip of My Tongue) – 01 opening (YDMN)
EXCERPT- Stephen Vitiello – Soundtracks for Lynne Sachs (Volume 2, Your Day Is My Night, The Washing Society, Tip of My Tongue) – 19 Last Minute (TOMT)
EXCERPT- Stephen Vitiello – Soundtracks for Lynne Sachs (Volume 2, Your Day Is My Night, The Washing Society, Tip of My Tongue) – 09 Every Fold (TWS)

Lynne Sachs first reached out to me in 2012, asking if I could recommend someone to work on the soundtrack for an upcoming film. I probably paused for a polite moment and then offered my own services. Since that time, I’ve created music for several projects by Lynne, including 4 feature-length films, a performance work (created in collaboration with playwright Lizzie Olesker) and a short film that uses a track I did with Molly Berg for a 12k CD. Over the years, I’ve amassed an archive of pieces made for these projects, some used in the films, some excerpted, some proposed. In some cases, Lynne would be looking for a 30-second clip for a transition and I’d use that as an excuse to record a 10-minute piece, figuring we’d find the 30-seconds somewhere in there.

This second volume of soundtracks works are from three films ….
Your Day is My Night, is set in NY’s Chinatown and follows the lives of Chinese-Americans living in shifted apartments. The Washing Society, is a collaboration between Lynne Sachs and Lizzie Olesker, it “brings us into New York City laundromats and the experiences of the people who work there.” Tip Of My Tongue, a piece on events of the last 55 years as remembered by a collection of friends and colleagues. As much as these musical tracks were created for the films, I don’t believe one has to have seen the films to enjoy them. That said, running out, or jumping on your computer, to watch and listen to the films would be a very good thing to consider.


credits

releases March 5, 2021

Stephen Vitiello – guitar, piano, modular synthesizer, field recordings
Molly Berg – clarinet and a bit of voice (YDMN)
Michael Raphael – washing machine recordings (TWS)
Amanda Katz and Jeff Sisson – Sound recordings (YDMN)

Cover art – Lynne Sachs
Mastering – Lawrence English at Negative Space

Your Day is My Night, directed by Lynne Sachs, 2013
Camera, co-producing and editing: Sean Hanley

The Washing Society, a film by Lizzie Olesker and Lynne Sachs, 2018
Editor – Amanda Katz

Tip Of My Tongue, directed by Lynne Sachs, 2017
Editor – Amanda Katz